Read:
The Prophet by Kahlil Gibran
The Medium is the Massage An Inventory of Effects- Marshall McLuhan and Quentin Fiore
Durham: A Bull City Story by Jim Wise
Detroit's Michigan Central Station by Kelli B. Kavanaugh
Reading:
The History of Love by Nicole Krauss
The Book by Alan Watts
Josef Albers: To Open Eyes
and some others
Tuesday, July 7, 2009
Tuesday, June 9, 2009
Books read April- June-ish (at least what I can remember)
Silent Spring by Rachel Carson- still so relevant! and unbelievable!
Storming the Gates of Paradise: Landscapes for Politics by Rebecca Solnit- one of my favorite writers- "The Walmart Biennial" essay is brilliant, if not so sad.
The Accidental Masterpiece: On the Art of Life and Vice Versa by Michael Kimmelman- an interesting angle on art and life that includes Ray J and also introduced me to Hugh Francis Hicks's Mt. Vernon Museum of Incandescent Lighting.
Teachers as Cultural Workers: Letters to those Who Dare to Teach by Paulo Freire- Freire is ABSOLUTELY BRILLIANT!!! and a much needed voice! His book, Pedagogy of the Oppressed, is next in line.
Relational Aesthetics- Nicolas Bourriaud
(almost finished with) Three Cups of Tea: One Man's Mission to Promote Peace...One School at a Time by Greg Mortenson and David Oliver Relin- an interesting angle on how one pursues a path of making a difference in the world. AND it resulted from a failure.
I also started (but didn't finish and had to return it to the library)
Michael Pollan's The Omnivore's Dilemma
Storming the Gates of Paradise: Landscapes for Politics by Rebecca Solnit- one of my favorite writers- "The Walmart Biennial" essay is brilliant, if not so sad.
The Accidental Masterpiece: On the Art of Life and Vice Versa by Michael Kimmelman- an interesting angle on art and life that includes Ray J and also introduced me to Hugh Francis Hicks's Mt. Vernon Museum of Incandescent Lighting.
Teachers as Cultural Workers: Letters to those Who Dare to Teach by Paulo Freire- Freire is ABSOLUTELY BRILLIANT!!! and a much needed voice! His book, Pedagogy of the Oppressed, is next in line.
Relational Aesthetics- Nicolas Bourriaud
(almost finished with) Three Cups of Tea: One Man's Mission to Promote Peace...One School at a Time by Greg Mortenson and David Oliver Relin- an interesting angle on how one pursues a path of making a difference in the world. AND it resulted from a failure.
I also started (but didn't finish and had to return it to the library)
Michael Pollan's The Omnivore's Dilemma
Wednesday, March 11, 2009
March books finished so far
To the Lighthouse- Virginia Woolf
Made from Scratch Discovering the Pleasures of a Handmade Life- Jenna Woginrich
A New Eath Awakening to Your Life's Purpose- Eckhart Tolle
Made from Scratch Discovering the Pleasures of a Handmade Life- Jenna Woginrich
A New Eath Awakening to Your Life's Purpose- Eckhart Tolle
Sunday, February 15, 2009
December to February Reading
This project is shifting but how I'm not totally sure. I found that its structure was actually causing me not to read at times though the process was quite helpful to my memory and digesting of ideas. Perhaps a place in between will be found.
In the meantime some books I've read lately are:
The Pirates! In An Adventure with Napoleon by Gideon Defoe
Mrs. Dalloway by Virginia Woolf
Outliers by Malcolm Gladwell
One Dimensional Man by Herbert Marcuse
Proust was a Neuroscientist by Jonah Lehrer
The Gift, Imagination and the Erotic Life of Property by Lewis Hyde
In the meantime some books I've read lately are:
The Pirates! In An Adventure with Napoleon by Gideon Defoe
Mrs. Dalloway by Virginia Woolf
Outliers by Malcolm Gladwell
One Dimensional Man by Herbert Marcuse
Proust was a Neuroscientist by Jonah Lehrer
The Gift, Imagination and the Erotic Life of Property by Lewis Hyde
Sunday, December 28, 2008
November 14 - December 17, 2008
A Room of One's Own
Virginia Woolf
1957, paperback
Until now I've never read any of Virginia Woolf's books, but luckily the exhibition A Room of Their Own: The Bloomsbury Artists in American Collections is changing that. Woolf is an amazing writer and what she wrote in first part of the 20th century bears just as much relevance and importance in the 21st. Woolf's thinking aloud through her writing allows the reader to gain from the path she walks. I find her to be an exemplary companion, I just need to find more quiet corners to spend with her writing so I don't become the skimmer of surfaces she mentions.
Some excerpts:
4- "a woman must have money and a room of her own is she is to write fiction"
13-14- "It is strange how a scrap of poetry works in the mind and makes the legs more in time to it along the road."
-"But the living poets express a feeling that is actually being made and torn out of us at the moment."
15- "My heart is gladder than all these Because my love is come to me?"
18- "a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well."
24- "I pondered this and that, as one does at the end of the day's work."
35- "What effect had poverty on fiction? What conditions are necessary for the creation of works of art?"
27- "Why are women, judging from this catalogue, so much more interesting to men than men are to women?"
30- (footnote 1- Dr. Johnson) "Men know that women are an overmatch for them, and therefore they choose the weakest or the most ignorant. If they did not think so, they never could be afraid of women knowing as much as themselves."
31-32- "Drawing pictures was an idle way of finishing an unprofitable morning's work. Yet it is in our idleness, in our dreams, that the submerged truth sometimes comes to the top."
34- "When I read what he wrote about women I thought, not of what he was saying, but of himself."
36- "mirrors are essential to all violent and heroic action"
53- "...to write a work of genius is almost always a feat of prodigious difficulty. Everything is against the likelihood that it will come from the writer's mind whole and entire. Generally material circumstances are against it...Further, accentuating all these difficulties and making them harder to bear is the world's notorious indifference. It does not ask people to write poems and novels and histories; it does not need them...Naturally it will not pay for what it does not want."
54- "If anything comes through in spite of all this, it is a miracle, and probably no book is born entire and uncrippled as it was conceived."
57- "The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself."
68-69- "For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice."
70- (Mrs. Nightingale) "Women never had a half hour...that they can call their own."
79- "Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind."
80- "Moreover, a book is not made of sentences laid end to end but of sentences built, if an image helps, into arcades or domes."
83- "She may be beginning to use writing as an art, not as a method of self-expression. Among these new novels one might find an answer to several such questions."
93- "Above all, you must illumine your own soul with its profundities and its shallows, and its vanities and its generosities, and say what your beauty means to you or your plainness, and what is your relation to the every changing and turning world of gloves and shows and stuffs swaying up and down among the faint scents that come through chemists' bottles down arcades of dress material over a floor of pseudomarble."
94-95- "Be truthful, one would say, and the result if bound the be amazingly interesting. Comedy is bound to be enriched."
97- "that she was not a skimmer of surfaces merely, but had looked beneath into the depths."
101- "Clearly the mind is always altering its focus, and bringing the world into different perspectives."
110 - "so long as you write what you wish to write, that is all that matters..."
115- "...much more important to be oneself than anything else. Do not dream of influencing other people...Think of things in themselves."
117- "A thousand pens are ready to suggest what you should do and what effect you will have."
-"...for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh"
118- "...to work, even in poverty and obscurity is worth while"
Labels:
art,
Bloomsbury,
dreams,
fiction,
freedom,
men,
mirror,
Virginia Woolf,
women
Tuesday, December 23, 2008
November 25 - December 6, 2008
Reena Spaulings
A novel by Bernadette Corporation
paperback, 2004
I have wanted to read this book from the moment I learned of it (you can read the 1st three chapters here). Somehow I never ordered online, but finally it found me. The last copy at the MoCAD bookstore, it was in stock due to the Bernadette Corporation being in the intelligent and captivating exhibition Business as Usual. Reena Spaulings is a fictional character in her 20s (but isn't she all of us), a museum guard, a fashion model, a novel, and subsequently an art gallery and an art dealer. She's not one thing, she's many. And she's rarely still, though despite the fast pace the reader still is able to get inside her head. sometimes.
Some excerpts:
Preface- "If you look at a city, there's no way to see it. One person can never see a city."
-"It has to be informed, imagined, by many people at a time. It's an everyday group hallucination."
-author
3- Reena
4- "She is not happy, not sad, not nothing."
-secrets
-Nobody ever talks in the way it would blow her brains out. Plus she has no desire to interfere with the flows that brought these streams of people, words."
-bangs
7- "Reena could be a Manet, one of these thinking pictures you can't see through, no matter how long you stare at them."
12- "I am often surprised, not to say a little embarrassed, at how blown-away I can be by the street's beauty after a day in the museum."
15- "A body is a living, breathing image that thinks while exposing itself to others."
16- "What if nothing belonged to anybody?"
31- Manet, Young Lady in 1866
34- "The illusion unravels like in a Warhol, leaving something that's not an illusion."
-"Here is observing for those who can no longer see. Or, for those who can't really look into another person's eyes."
53
55- "We move through a city that produces boys and girls and extends itself through them."
57- "...thinking of how the sky is shoved to the periphery of the stage by our monuments and monumental buildings."
61- "I think how can we make a beautiful brushstroke with our existence?"
63- "an economy of essences"
65- "his shirts were always blank"
73- (war) "Anyway, there's no point in discussing such things if we can't find a way of talking about them that's as outrageous as the things themselves."
-dandy- "existence consists in the wearing of clothes"
-abstract painting- "opening a blank space in the texture of institutionally recognized meaning. Few artists leave that void empty for long."
76- hands
78- "It's as if an envelop is falling over this place, sealing us up inside."
-"I feel loads of unspoken words showering down on me. Shooting star sentences that will never be translated."
79- "She's an open book but every turned page presents another cover."
82- "New York is an entire library of books about everything and everybody. Reading here is work, and behind every book-filled room is another room of books and the reading never ends."
-"The city is an open structure that works by calibrating every relationship to its programmed expansion and destruction."
-"The city needs Reena and folds her into its architectures..."
-(NYC) 12 million reader-authors
-"There is no New York story, only an endless effort to make us forget that narration is war..."
-Reena's lighting system
84- "Bedrooms are the site of intimacy. What is more intimate, when shared, than boredom."
85- "Boredom like stupidity contains its own treasures."
93-94- "Was Reena pursuing her desires, or was she inventing them anew with each ring of the cash register."
94- "Its exclusivity lay entirely in the mis-relationship between what it had cost and what it actually was. The price here stood in for any and ever other quality."
95-96- 99 cent store
98- "Shopping together is like traveling: an elaborate way of making the couple visible to itself."
99- "'I'm surprised how much birds sing.'"
133- Voltaire- "That which needs an explanation is not worth an explanation!"
136- "...Capitalism, Empire, whatever...there's a general context that not only controls each situation but, even worse, also tries to ensure that, most of the time, there is no situation."
-"That the desert of these times isn't perceived is only one more proof of the desert."
137- "To live in the world means: to begin with the situation, not to deny it. To give consistency to a situation. To make it real, tangible. Reality is not capitalist."
143- Zizek
154- "Funny how individuality makes you generic."
154-155- "Here is an intellectual body of pure capability, but one that is also open, looking to be determined from outside, ready to re-write everything, to co-write, to be written on..."
158- "Better to eat candy like Andy."
165- "People want to be someone. But the really exciting challenge is to become no one."
174- "Everything emblematic of a being-alive that once was, is not available in a variety of prices and quality."
188- "I wanted to go out and see people and talk about everything I saw."
190- "Nothing ever ends until you let it go."
-"Only the impossible is worth the effort."
200- "because in New York we were sweating the evil they would be photocopying in three years time."
201- "You see? Your love is circular. There is nothing like it. It makes us forget how to change."
202- "I'm trying to wangle my way out of obligations because I need long hours to do nothing, which I consider to be a big part of my work now."
-back cover
November 3 - 19, 2008
A Coney Island of the Mind
Poems by Lawrence Ferlinghetti
New Directions Paperback
While I've been to City Lights I've never read any of Lawrence Ferlinghetti's poetry. I came across this volume since it was the selection for the reading group accompanying the complex and marvelous exhibition Circa 1958. I didn't make it to the discussion group, but I'm glad to have spent some time with Ferlinghetti's fantastically visual and stunning poems.
Some excerpts/phrases:
9- "under cement skies"
-"bland billboards illustrating imbecile illusions of happiness"
10- "...more maimed citizens in painted cards and they have strange license plates and engines that devour America"
11- "...elephants in bathtubs floated past us out to sea strumming bent mandolins..."
14- "And lost teacups full of our ashes floated by"
17- "where no birds sang"
33- "Frightened by the sound of my own voice and by the sound of birds singing on hot wires"
35- "The pennycandy store beyond the El is where I first fell in love with unreality"
36- "At a certain age her heart put about searching the lost shores And heard the green birds singing from the other side of silence."
38- "painting moustaches on statues"
44- Proust
49- "and I am waiting for someone to really discover America"
49-50
52- "and I am waiting for Alice in Wonderland to retransmit to me her total dream of innocence"
57- "I'm going where turtles win"
58- "Lost the war without killing anybody."
-"The end has just begun. I want to announce it. Run don't walk to the nearest exit."
62- "Home is where one starts from."
63- "and noted the close identification of the United States and the Promise Land where every coin is marked In God We Trust but the dollar bills do not have it being gods unto themselves."
64- "I have ridden superhighways and believes the billboard's promises"
-"I am in line for a top job. I may be moving on to Detroit."
66- "I have seen giraffes in jungle jims their necks like love wound around the iron circumstances of the world."
82- "#6 Truth is not the secret of a few"
-museums, constipated
83- "Fortune has its cookies to give out"
85- "'We think differently at night' she told me once"
90- El- third story world
91- "and of that lost book I had with its blue cover and its white inside where a pencilhand had written HORSEMAN, PASS BY!"
Labels:
Alice,
birds,
book,
Coney Island,
Detroit,
dollars,
giraffe,
home,
In God We Trust,
Lawrence Ferlinghetti,
poems,
Proust,
war
Saturday, December 20, 2008
How to give a book and so much more
Recently I was thinking about sewing re-usable book wrapping bags since I always give people books for holidays. Lisa Anne Auerbach has an even better idea- The Hanukah Book Club- going through your bookshelf and giving some of the books you have to your loved ones since the books will be new to them! This idea developed out of a conversation between her mom and grandmother. As Auerbach writes, "She wrapped up eight used books for everyone and that was that. We loved it. No consumer frenzy. Better, more thoughtful presents. Super fun and no shopping."
Here's the tract the she wrote about The Hanukah Book Club too.
It begins: "Down with Christian Capitalist Consumer Christmas! Enough already with the gifts.
We call an unceremonious end to toasters, flatscreens, cashmere, ice buckets and the like. We giggle and gloat at the funeral of Christmas shopping, and we dance on the grave of unrepentant consumerism. It’s boring and wasteful. The mall is a desperate place. It’s loud and unfulfilling. We have to shake ourselves so we don’t turn into zombies...."
and continues:
"The decision between extravagant and practical is over. Cereal bowls or spa treatment? Socks or gold-tipped knitting needles? A year’s supply of garbage bags or a counter-hogging espresso machine? Are gifts about us or about them? Do we think we’re a better person if we’re spending more money? Or do we think our family will love us more if we show up with eight more useless offerings? ... We might not know what our purpose is as human beings on this planet, but certainly it is not to keep corporate America afloat in our dollars."
Absolutely brilliant.
Here's the tract the she wrote about The Hanukah Book Club too.
It begins: "Down with Christian Capitalist Consumer Christmas! Enough already with the gifts.
We call an unceremonious end to toasters, flatscreens, cashmere, ice buckets and the like. We giggle and gloat at the funeral of Christmas shopping, and we dance on the grave of unrepentant consumerism. It’s boring and wasteful. The mall is a desperate place. It’s loud and unfulfilling. We have to shake ourselves so we don’t turn into zombies...."
and continues:
"The decision between extravagant and practical is over. Cereal bowls or spa treatment? Socks or gold-tipped knitting needles? A year’s supply of garbage bags or a counter-hogging espresso machine? Are gifts about us or about them? Do we think we’re a better person if we’re spending more money? Or do we think our family will love us more if we show up with eight more useless offerings? ... We might not know what our purpose is as human beings on this planet, but certainly it is not to keep corporate America afloat in our dollars."
Absolutely brilliant.
Saturday, December 6, 2008
Buy Books from Bookstores
"Literacy is the cornerstone of any great society. When we stop reading -- and by extension, buying books, discussing art, participating in the life of the mind -- everything else crumbles."
by diana abu jaber on Book Industry Enters Shaky Chapter
Full story: http://www.npr.org/templates/story/story.php?storyId=97873655Tuesday, November 11, 2008
October 19 - November 1, 2008
The Wordy Shipmates
Sarah Vowell
2008, hardcover
14 cards
This is a book about the Puritans, the Separatists and the Non-Separatists, but since it is written by Sarah Vowell it is so much more than that. Vowell positions what took place in the early days of the United States alongside the current wars the United States wages. With her humor and cynicism and wading through history to dredge up the good stuff, her approach also demonstrates how one can fuse one's practice, with one's beliefs in ways that inform the current state of affairs rather than just recount. And the book starts with a drawing by Marcel Dzama. With the recent election we might not be Ronald Regan anymore (p. 62), but we'll see.
Since it is the month of the holiday known as Thanksgiving I point your attention to the following statement: "Days of thanksgiving were earned. They would be appalled by US calendars calling for a holiday...What if we didn't deserve it?" (p. 198) Maybe this year it should have been November 5.
Some excerpts:
1- "The only thing more dangerous than an idea is a belief. I don't mean thought-provoking. I mean: might get people killed."
6- Middle East
-"Answer: Because Henry VIII had a crush on a woman who was not his wife."
-"(Martin) Luther's point was that, according to scripture, salvation is not a bake sale..."
7- "Luther translated the Bible into German so Germans could read it for themselves."
9- "hot Protestants" (Puritans)
11- The Humble Request, 1630- "Nothing uppity about us, Your Majesty, we're just hobos in the woods."
-Winthrop: "We shall be as a city upon a hill."
12- wrote their own books
-Ralph Waldo Emerson- "The art of writing is the highest of those permitted to man."
13- "The United States is often called a Puritan nation. Well, here is one way in which it emphatically is not: Puritan lives were overwhelmingly, fanatically literary."
14- Reverend Thomas Shepard Jr. to his son: "So I say to you read! Something will stick in the mind, be diligent and good will come of it."
15- John Adams- "Wisdom and knowledge, as well as virtue, diffused generally among the body of the people being necessary for the preservation of their rights and liberties..."
16- David McCullough
20- "check out those barbarian idiots with their cockamamie farce of a legal system, locking people up for fishy reasons and putting their criminals to death. Good thing Americans put an end to all that nonsense long ago."
21- General Cornwallis [so that's why that road name near me comes from]
23- the Great Migration 1629-40
24-25- Massachusetts Bay Colony's official seal [Dzama's drawing]- "Indian says, 'Come over and help us!'"
-"The worldview behind that motto- we're here to help, whether you want our help or not- is the Massachusetts Puritans' most enduring bequest to the future United States. And like everything the Puritans believes, it is derived from scripture."
26- 1801 inaugural address by Thomas Jefferson argues for "peace, commerce, and honest friendship with all nations- entangling alliances with none."
30- germs- "The kingdom of death extended from Chile to Newfoundland..."- map at the National Museum of the American Indian
-Squanto- "spoke English because he had learned it in Europe after he was kidnapped by sailors. By the time he made his way back to America, everyone he knew was dead."
34- text at the museum next to the map- "That initial explosion of death is one of the greatest tragedies in human history because it was unintended and unavoidable, and even inevitable. But what happened in its wake was not."
45- MLK Jr. 1957- "So this morning, as I look into your eyes and into the eyes of all my brothers in Alabama and all over America and over the world, I say to you 'I love you. I would rather die than hate you.'"
54- John Adams- "The body politic is formed by a voluntary association of individuals: it is a social compact, by which the whole people covenants with each citizen and each citizen with the whole people, that all shall be governed for the common good."
56- surveillance
59- Dolly Parton
-Winthrop's sermon, as a supposed early model for the idea of America, became a blank screen onto which Americans in general and Reagan in particular projected their own ideas about the country we ended up with."
-"And looking into the ways the sermon, or at least that one phrase in it [city on a hill] was used, throws open the American divide between action and words, between what we say we believe versus what we actually do."
62- "In the USA, we want to sing along with the chorus and ignore the verses, ignore the blues."
-"City on a hill, though- that has a backbeat we can dance to. And that's why the citizen of the United States not only elected and reelected Ronald Reagan; that's why we are Ronald Regan."
65- Reagan: "...and if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here..."
69- Abu Ghraib
74- regularly scheduled voting
81- blank pages
82- ferkins- kilderkin
86- state house, Boston- "one of the oldest upholstered chairs made in New England."
91- plaques in Boston
108- "A cross, to a Puritan, is not a symbol of Christ- it is a symbol of the pope."
112- pamphlet fight!
118- Vacation Bible school- "It was like arts-and-crafts camp, only churchier..."
119- lessons "be true to yourself, be not afraid to defy authority, be willing to die for what you believe in..."
127- "Williams's greatness lies in his refusal to keep his head down in a society that prizes nothing more than harmony and groupthink. He cares more about truth than popularity or respect or personal safety."
128- "...Winthrop is Peter Seeger...Williams is Bob Dylan plugging in at Newport..."
129- Williams "a man who devotes his life to keeping government out of the church- not the other way around."
148- "...Rhode Island was purchased by love."
150- "Williams, like Melville, is a tad too excited, too lonely, too longwinded, too strange."
-Melville- paper mill- "endless supply of paper on which 'I should write a thousand-a million-billion thoughts, all under the form of a letter to you!"
157- "I'm an indoorsy urban woman..."
159- "most useful, or at least the most telling" Algonquin phrases Williams translates: "We understand no each other." "You trouble me."
171- pirate
196- Foxwoods
197- dioramas
198- "When's Thanksgiving?"
-"might be June 15, 1637"
-"Days of thanksgiving were earned. They would be appalled by US calendars calling for a holiday...What is we didn't deserve it?"
236-237- (magazine subscription card) "she is either male property (Mrs.), wannabe male property (Miss) or man hating harpy (Ms.)."
238- plaque text
239- "To get to his city you see her name."
248- JFK: "For of those to whom much is given, much is required."
Labels:
bob dylan,
books,
diorama,
Dolly Parton,
hobos,
Marcel Dzama,
Martin Luther,
pirate,
plaque,
Puritans,
Ralph Waldo Emerson,
Reagan,
Sarah Vowell
Saturday, November 1, 2008
Thursday, October 30, 2008
October 11 - 18, 2008
Murmur
by J. Nimi
33 1/3 books, 2007, paperback
14 cards
When I met Peter Buck I thanked him for R.E.M.'s introducing me to the music of The Soft Boys and the Velvet Underground. My friend Joel was shocked that I failed to express my love for R.E.M. to Peter Buck. It just seemed a given, I do hope he knew that. R.E.M. for me was like those friends who introduce you to things that help you figure out what you're about as well as share things that they know you will love. J. Nimi does just that in this book on Murmur. I also realize now I don't really know that much about Murmur and, while this book fills in some of that, his discussion of Walker Percy's The Message in the Bottle is his gift, as well as this thoughtful text about Murmur.
A few selections:
xi- "But isn't that how we feel about records we love- that without us, they wouldn't exist? That they continue to mediate your existence, even after you shut off the stereo, shelve the records, "outgrow" the band?
-Francisco Varela: "Every act of knowing brings forth a world."
xii- Richard Brilliant's My Laocoon- "how a personal experience of a work of art can become tainted by what history has to say about it."
xiii- restrain the imagination
-"Murmur is part object...part text...and part performance."
xiv- "Murmur was and is about not understanding things too quickly or too assuredly. An artist wants his or her work to be "understood," but by a particular means also inscribed as a part of that work."
1- recorded in Charlotte, NC
2- Carrboro
-donuts
12 (being in a band) "is not so much about freedom as it is about the giving up of one kind of burden for another."
43- "the common fear of not being heard"
50- Marat's death
52- "tell now what is dreaming"
55- Lionel Trilling: "The poet...may be used as a barometer, but let us not forget that he is also part of the weather."
56- Thoreau: "each railroad tie was a soul- the passing of a freight train was a night requiem to the railroad ties..."
61-62- Kudzu- James Dickey- "unkillable ghosts"
62- kudzu to a Midwesterner
63- Gerhard Richter
68- Edmund Burke
-sublime
74- 1st demo tape- sticker, "do not open"
76- David Rothenberg: "The Phenomenology of Reverb" quoting Edmund Husserl: "...once a sound happens, it immediately goes away; and the moment it's over, we begin to forget it. That's what memory, in fact, is: the history of forgetting."
79- Irving Howe: "the Reaganites have largely succeeded in restoring popular confidence in the virtues of capitalism, the mystical beneficence of "the free market," and the attractiveness of a "minimalist state" even though that state, faithfully attending to corporate needs, has never been close to being minimalist."
80- "Coca-Cola didn't sell soda pop; they sold corn, in the form of corn syrup, a product that greatly offset the economic gap created in the wake of the gasoline crisis of the later 1970s."
89- Michael Stipe: "We want our records to be like doors to other worlds."
90- Walker Percy's "Metaphor as Mistake"
90-91- naming
93- Robert Frost, "poetry is what gets lost in translation"
-Eli Khamarov: "poets are soldiers that liberate words from the steadfast possession of definition."
93-94- MS: lyrics "a blank chalkboard for people to pick up and scribble over"
98- "Murmur is a record that needs to be completed by the listener, but she has written herself out of the picture altogether, not to mention the music."
101- "When you illuminate the sublime, you get a sharper darkness."
108- "For most of history, up until very recently, music was heard only when it was performed."
114- Magritte
125- "But part of projecting yourself into a pop song is the tacit notion that you're able to momentarily leave behind the real narrative that you normally inhabit."
126- strategy
by J. Nimi
33 1/3 books, 2007, paperback
14 cards
When I met Peter Buck I thanked him for R.E.M.'s introducing me to the music of The Soft Boys and the Velvet Underground. My friend Joel was shocked that I failed to express my love for R.E.M. to Peter Buck. It just seemed a given, I do hope he knew that. R.E.M. for me was like those friends who introduce you to things that help you figure out what you're about as well as share things that they know you will love. J. Nimi does just that in this book on Murmur. I also realize now I don't really know that much about Murmur and, while this book fills in some of that, his discussion of Walker Percy's The Message in the Bottle is his gift, as well as this thoughtful text about Murmur.
A few selections:
xi- "But isn't that how we feel about records we love- that without us, they wouldn't exist? That they continue to mediate your existence, even after you shut off the stereo, shelve the records, "outgrow" the band?
-Francisco Varela: "Every act of knowing brings forth a world."
xii- Richard Brilliant's My Laocoon- "how a personal experience of a work of art can become tainted by what history has to say about it."
xiii- restrain the imagination
-"Murmur is part object...part text...and part performance."
xiv- "Murmur was and is about not understanding things too quickly or too assuredly. An artist wants his or her work to be "understood," but by a particular means also inscribed as a part of that work."
1- recorded in Charlotte, NC
2- Carrboro
-donuts
12 (being in a band) "is not so much about freedom as it is about the giving up of one kind of burden for another."
43- "the common fear of not being heard"
50- Marat's death
52- "tell now what is dreaming"
55- Lionel Trilling: "The poet...may be used as a barometer, but let us not forget that he is also part of the weather."
56- Thoreau: "each railroad tie was a soul- the passing of a freight train was a night requiem to the railroad ties..."
61-62- Kudzu- James Dickey- "unkillable ghosts"
62- kudzu to a Midwesterner
63- Gerhard Richter
68- Edmund Burke
-sublime
74- 1st demo tape- sticker, "do not open"
76- David Rothenberg: "The Phenomenology of Reverb" quoting Edmund Husserl: "...once a sound happens, it immediately goes away; and the moment it's over, we begin to forget it. That's what memory, in fact, is: the history of forgetting."
79- Irving Howe: "the Reaganites have largely succeeded in restoring popular confidence in the virtues of capitalism, the mystical beneficence of "the free market," and the attractiveness of a "minimalist state" even though that state, faithfully attending to corporate needs, has never been close to being minimalist."
80- "Coca-Cola didn't sell soda pop; they sold corn, in the form of corn syrup, a product that greatly offset the economic gap created in the wake of the gasoline crisis of the later 1970s."
89- Michael Stipe: "We want our records to be like doors to other worlds."
90- Walker Percy's "Metaphor as Mistake"
90-91- naming
93- Robert Frost, "poetry is what gets lost in translation"
-Eli Khamarov: "poets are soldiers that liberate words from the steadfast possession of definition."
93-94- MS: lyrics "a blank chalkboard for people to pick up and scribble over"
98- "Murmur is a record that needs to be completed by the listener, but she has written herself out of the picture altogether, not to mention the music."
101- "When you illuminate the sublime, you get a sharper darkness."
108- "For most of history, up until very recently, music was heard only when it was performed."
114- Magritte
125- "But part of projecting yourself into a pop song is the tacit notion that you're able to momentarily leave behind the real narrative that you normally inhabit."
126- strategy
Labels:
33 1/3 books,
Magritte,
music,
North Carolina,
poetry,
R.E.M.,
records,
Walker Percy
Monday, October 27, 2008
October 8 - 12, 2008
Chicken with Plums
Marjane Satrapi
2006, hardcover
1 card
7- "As someone once said, 'To live, it's not enough to be alive.'"
63- Rumi- The Story of the Elephant
64- "Each one had given his interpretation of the animal according to what he had touched. Life is the same. We give meaning to life based on our point of view."
-"The key to wisdom is doubt."
October 1 - 10, 2008
Fargo Rock City
Chuck Klosterman
2001, hardcover
9 cards
8- "As a writer, there is nothing more flattering than having someone invest their thoughts into something your wrote."
18- "Whenever people look back on their grammar school days, they inevitably insist that they remember feeling 'safe' or 'pure' or 'hungry for discovery.' Of course, the people who say those things are lying (or stupid or both). It's revisionist history..."
25- Brian Eno, "Only a thousand people bought the first Velvet Underground album, but every one of them became a musician."
55- "Sadness and evil are always more believable than happiness and love."
58- metal and interpretation
71- "What music 'means' is almost completely dependent on the people who sell it and the people who buy it, not the people who make it. Our greatest artists are the ones who understand how they can be interesting and unique within those limitations."
72- "Glam is a struggle against normalcy."
73- who has listened to the New York Dolls
105- "The only thing important about art is how it affects people. It only needs to affect one person to be interesting, but it had to affect many to be important."
118- males, loyalty to bands
138- "Life makes art."
221- Americanphile
225- "Hating (and sometimes mocking) music is just as important as loving (and embracing) music."
272- Stone Temple Pilots, Interstate Love Song
Monday, October 20, 2008
August 27 - October 5, 2008
Looking Up Rachel Whiteread's Water Tower
Public Art Fund
Hardcover, 1998
10 cards
Many people who have walked with me in a city know about my interest in water towers. I have given some thought as to why these structures interest me. Partly it's because they signify city to me, there were no such water towers in town I was from. It seems as if they're a tangible expression of time- particularly in Detroit, they're a sign of earlier life and vitality, the towers haunting the sky to some degree. They have a presence in the sky and they also have a function. I try to capture as many as I can in snapshots since each feels unique. Rachel Whiteread also took an interest in water towers and explored, researched and created a project inspired by the water towers of New York. I've had my eye on this book for a while but the truly wonderful Strand Bookstore had it for $5 or so, and thus I found my copy.
Whiteread's tower now seems to be on MoMA's roof. Whiteread chose a trasnslucent material to cast her water tower unlike the dense materials of her casting of house interiors (I saw Ghost this summer at the National Gallery) prevent one from entering the former interior. What is it about water towers that lets us in? I'm still not sure but perhaps in continuing to return to such a question there the answers will become as interesting as the question. I just started thinking about the way water towers are part of networks, relationship which I realize more and more each day underlie many projects and interests of mine.
Some excerpts:
13- Joan Didion, The White Album, "Water is important to people who do not have it, and the same is true of power."
-arid climates, water- "liquid capital"
15- "The skyline of old New York is the engineering consequence of the reserves of water held in upstate regions."
-1998- 17,000 rooftop water tanks in NYC
16- "Human habitations must be protected from their own effects."
17- "In present-day New York City, the politics of land values can be read in the architecture of the skyline. Water, like any other system, is political: power that can be channeled, streamed, diverted and stored."
18- "To look at Whiteread's Water Tower is not only to be reminded of the origins of what we take for granted but also to delve into the functioning of a larger system of which wooden water towers are merely the visible pinnacles."
20-Ilya Kabakov, Monument to the Lost Glove
22- David Hammons
-"the projects in their city locations are 'open texts' which invite many possible readings and individual perceptions."
23- Gordon Matta- Clark
24- 1st research trip- walking
25- Bernd and Hilla Becher
-"The water tower is part of the complex system by which water is collected and distributed. Consisting of a water tank and a tower-like substructure, it fulfills 2 purposes at the same time: storage and the maintenance of pressure."
27- almost disappearing, invisible
-"part of the sky itself"
28- "those who seek it out will find it"
45- Foxwoods
47- "The greatest pleasure in life is doing what people say you cannot do."
Cabin the Sky, Luc Sante
89- "Although omnipresent, and comforting, in their omnipresence, water towers have nevertheless managed to avoid dull familarity. You never quite cease to see them..."
-"strictly functional idea"
92- Bechers- "It is the Bechers's mission to document with scientific rigor the architectural remnants of the age of industry."
-"They were never intended to be any more than strictly utilitarian."
-"their abject and uncompromising simplicity."
The Immigrant- Molly Nesbit
99- Gerhard Richter- city of New York
100- Rem Koolhaus- "count the rabbits"
-"to make something not there"
-"she would retreat from the skyline to return to it."
101- J. G. Ballard's Crash
102- Nietzsche
105-106 "She gave peace an urban shape in her inverted tower of water"
106- country moment "When there are no birds singing, and there's no wind, you just get this silence that is absolute concrete, it completely smothers you."
-"But New York is not itself capable of this kind of silence."
-"What is an artist? Neither tourist nor traveler exactly."
-107- "For a large work of art like Water Tower is in effect asking to be held only by the world."
108- "No city on earth, no life on earth, has the scale of sky."
-"Clouds are notoriously silent."
163- Moondance Diner (now closed)
166- RW: "I really wanted to make something that was more like an intake of breath."
170- Robert Leonard: "It reflects the idea of a monument without marking a site that a monument would normally mark as being significant. It is an empty form waiting for meaning to attach itself to it."
171- Trisha Brown: "people didn't look up; artists probably did"
173- Trisha Brown, Roof Piece, Soho, 1972
176- Dan Graham- Two Way Mirror Inside Cube
183- Ingrid Schaffner- "this city's particular capacity to inspire whomever is simply prepared to look."
188- David Zwirner: "Looking for it is almost just as satisfying as finding it."
195- Diane Lewis: "The city is a text...But an existential description of the city as a history is that history has no objective, the art is to give it one, by reading of the city not as a history but as une histoire, a story."
Public Art Fund
Hardcover, 1998
10 cards
Many people who have walked with me in a city know about my interest in water towers. I have given some thought as to why these structures interest me. Partly it's because they signify city to me, there were no such water towers in town I was from. It seems as if they're a tangible expression of time- particularly in Detroit, they're a sign of earlier life and vitality, the towers haunting the sky to some degree. They have a presence in the sky and they also have a function. I try to capture as many as I can in snapshots since each feels unique. Rachel Whiteread also took an interest in water towers and explored, researched and created a project inspired by the water towers of New York. I've had my eye on this book for a while but the truly wonderful Strand Bookstore had it for $5 or so, and thus I found my copy.
Whiteread's tower now seems to be on MoMA's roof. Whiteread chose a trasnslucent material to cast her water tower unlike the dense materials of her casting of house interiors (I saw Ghost this summer at the National Gallery) prevent one from entering the former interior. What is it about water towers that lets us in? I'm still not sure but perhaps in continuing to return to such a question there the answers will become as interesting as the question. I just started thinking about the way water towers are part of networks, relationship which I realize more and more each day underlie many projects and interests of mine.
Some excerpts:
13- Joan Didion, The White Album, "Water is important to people who do not have it, and the same is true of power."
-arid climates, water- "liquid capital"
15- "The skyline of old New York is the engineering consequence of the reserves of water held in upstate regions."
-1998- 17,000 rooftop water tanks in NYC
16- "Human habitations must be protected from their own effects."
17- "In present-day New York City, the politics of land values can be read in the architecture of the skyline. Water, like any other system, is political: power that can be channeled, streamed, diverted and stored."
18- "To look at Whiteread's Water Tower is not only to be reminded of the origins of what we take for granted but also to delve into the functioning of a larger system of which wooden water towers are merely the visible pinnacles."
20-Ilya Kabakov, Monument to the Lost Glove
22- David Hammons
-"the projects in their city locations are 'open texts' which invite many possible readings and individual perceptions."
23- Gordon Matta- Clark
24- 1st research trip- walking
25- Bernd and Hilla Becher
-"The water tower is part of the complex system by which water is collected and distributed. Consisting of a water tank and a tower-like substructure, it fulfills 2 purposes at the same time: storage and the maintenance of pressure."
27- almost disappearing, invisible
-"part of the sky itself"
28- "those who seek it out will find it"
45- Foxwoods
47- "The greatest pleasure in life is doing what people say you cannot do."
Cabin the Sky, Luc Sante
89- "Although omnipresent, and comforting, in their omnipresence, water towers have nevertheless managed to avoid dull familarity. You never quite cease to see them..."
-"strictly functional idea"
92- Bechers- "It is the Bechers's mission to document with scientific rigor the architectural remnants of the age of industry."
-"They were never intended to be any more than strictly utilitarian."
-"their abject and uncompromising simplicity."
The Immigrant- Molly Nesbit
99- Gerhard Richter- city of New York
100- Rem Koolhaus- "count the rabbits"
-"to make something not there"
-"she would retreat from the skyline to return to it."
101- J. G. Ballard's Crash
102- Nietzsche
105-106 "She gave peace an urban shape in her inverted tower of water"
106- country moment "When there are no birds singing, and there's no wind, you just get this silence that is absolute concrete, it completely smothers you."
-"But New York is not itself capable of this kind of silence."
-"What is an artist? Neither tourist nor traveler exactly."
-107- "For a large work of art like Water Tower is in effect asking to be held only by the world."
108- "No city on earth, no life on earth, has the scale of sky."
-"Clouds are notoriously silent."
163- Moondance Diner (now closed)
166- RW: "I really wanted to make something that was more like an intake of breath."
170- Robert Leonard: "It reflects the idea of a monument without marking a site that a monument would normally mark as being significant. It is an empty form waiting for meaning to attach itself to it."
171- Trisha Brown: "people didn't look up; artists probably did"
173- Trisha Brown, Roof Piece, Soho, 1972
176- Dan Graham- Two Way Mirror Inside Cube
183- Ingrid Schaffner- "this city's particular capacity to inspire whomever is simply prepared to look."
188- David Zwirner: "Looking for it is almost just as satisfying as finding it."
195- Diane Lewis: "The city is a text...But an existential description of the city as a history is that history has no objective, the art is to give it one, by reading of the city not as a history but as une histoire, a story."
Labels:
Bernd and Hilla Becher,
birds,
clouds,
diners,
mirror,
New York,
Rachel Whiteread,
water tower
Wednesday, October 8, 2008
"Books are places of identification, receptacles of collected insight. Even if you only read a book once in your lifetime, as it stands on your bookshelf it symbolizes a storehouse of experience on which you repeatedly draw in the process of remembering. A subjective selection of ten favorite books, therefore, represents an intellectual spiritual storehouse in and through which individuals rediscover, nourish and redefine themselves. Tell me what you read and I'll tell you who you are."
-Bernhart Schwenk writing about the artist the work of Peter Wuthrich
-Bernhart Schwenk writing about the artist the work of Peter Wuthrich
Saturday, October 4, 2008
September 16 - 29, 2008
Kafka on the Shore
Haruki Murakami
2005, hardcover
27 cards
I've been meaning to read one of Haruki Murakami's books for a few years now. A couple of years ago a co-worker recommended The Wind-Up Bird Chronicles and, more recently, his memoir that overlaps with running sounds interesting. But it was when Jen recommended Kafka on the Shore and sent me the New Yorker review of the book (Jen reads New Yorkers cover to cover in order, I think she may be up to June right now but I could be wrong) that I decided this was the one to start with.
A meditation on life, Chances are you the reader has not become involved in a murder like part of the storyline, there are moments that may reflect your own grappling with a life lived, or at least that's what this book offered me. Thoughtful insights abound resulting from ordinary life moments as well as a few of the extraordinary variety. And Chip Kidd designed the cover.
Selections:
4- "Distance might not solve anything."
11- map
15- "You know how it is. When kids start playing together and get completely absorbed by whatever they're doing, they don't care about things like that anymore."
18- clouds- angle
21- "In traveling, a companion, in life, compassion."
-"'I think it means,' I say, 'that chance encounters are what keep us going."
30- map
31- diner
31- "Like the clouds floating across the sky, I'm all by myself, totally free."
32- libraries
36- odor of books
-"This is exactly the place I've been looking for forever."
37- "people spend their time running around trying to locate their missing other half."
-"my point is that it's really hard for people to live their lives alone."
-diner
44- cat and name- "I had one, I know I did, but somewhere along the line I didn't need it anymore. So it slipped my mind."
46- cats- creatures of habit
54- (Kafka) "I think what Kafka does is give a purely mechanical explanation of that complex machines in the story...that's his own device for explaining the kind of lives we lead. Not by talking about our situation, but by talking about the details of the machine."
68- (apartment) "Seedy, all right, but at least it had the feel of real people living real lives."
83- (no kids) "But it's not a good ideas to make decisions so soon. There's no such thing as absolutes."
94- "Was the sound of birds I was hearing real?"
99- clinging to something- Goethe- "Everything's a metaphor"
102-103- (Schubert) "...works that have a certain imperfection to them have an appeal for that very reason- or at least they appeal to certain types of people....You discover something about that work that tugs at your heart- or maybe we should say the work discovers you."
104- "...People soon get tired of things that aren't boring, but not of what is boring."
105- "But solitude comes in different varieties..."
122- (pencilled note, Eichmann bio)- "It's all a question of imagination. Our responsibility begins with the power to imagine. It's just like Yeats said: IN dreams begin responsibilities. Flip this around and you could say that when there's no power to imagine, no responsibility can arise. Just like we see with Eichmann."
127- "...silence, I discover, is something you can actually hear."
141- "...whatever is it you're seeking won't come in the form you're expecting."
174- "People who look normal and live a normal life- they're the ones you have to watch out for."
175- "The more connections, the deeper the meaning."
-"What matters is that you see things with your own eyes."
-"If you try to use your head to think about things, people don't want to have anything to do with you."
176- "Boundaries between things are disappearing all the time."
182- labyrinth
189- "A theory is a battlefield in your head."
191- diner
203- record player and record- "If possible I'd like to listen to the record to hear how it originally sounded."
-"All like the ruins of some not-so-distant past."
210- (song) "One by one the words find a home in my heart."
225- pirate
-"Artists are those who can evade the verbose."
-"If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer functions as a poem."
232- Bob Dylan
235- "My grandpa always said asking a question is embarrassing for a moment, but not asking is embarrassing for a lifetime."
236- pickles
238- diner
240- Colonel Sanders
248- bird- branch- wind- "vision shifts"
253- Bergson- "The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory."
255- "A revelation leaps over the borders of the everyday. A life without revelation is no life at all. What you need is to move from reason that observes to reason that acts."
265- "God only exists in people's minds."
-"If you think God's there, He is. If you don't, he isn't."
276- "Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover."
276- painting
278- "All of us are dreaming."
284- "Nakata's like a library without a single book."
292- "People actually prefer not being free."
-Australian Aborigines, fenceless civilization until 17th century
294- "Or maybe I just wanted to keep myself busy, so I set a goal that kept me running around and my mind occupied."
-"If it wasn't for that project, I probably would've withdrawn even further from reality and ended up completely isolated."
299- "the post rain scent in the air"
302- "The world would be a real mess if everybody was a genius. Somebody's got to keep watch, take care of business..."
326- "So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside."
327- "The longer people live, the more they learn to distinguish what's important from what's not."
-"You're in the middle of something wonderful, something so tremendous you may never experience it again. But you can't really understand how wonderful it is. That makes you impatient. And that, in turn, leads you to despair."
332- pickles
334- map- diner
334- "'But what the heck are you looking for?' Hoshino asked after they'd eaten. 'I don't know. But I think-' 'that you'll know it when you see it. And until you see it, you won't know what it is.'"
349- "Believing that art itself, and the proper expression of emotions, was the most sublimed thing in the world, he though political power and wealth only served one purpose: to make art possible."
359-360- "War breeds war."
365- "The process of writing was important. Even though the finished product is completely meaningless."
365- painting
370- letter- secret
373- "Why does loving somebody mean you have to hurt them just as much? I mean, if that's the way it goes, what's the point of loving someone? Why the hell does it have to be like that?"
377- "Can nothingness increase?"
379- "You changed my life...things look different to me now. ... I've started to see the world through your eyes."
382- pickles
390- Truffant- 400 Blows
392- names- "There's no need to call me, she says. If you need me, I'll be here."
405- hold a book
427 (quiet, power) "People that don't get it never will."
432- "Every one of us is losing something precious to us...Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads- at least that's where I imagine it- there's a little room where we store those memories. A room like the stacks in the library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while..."
-"People need a place they can belong."
435- time
Sunday, September 14, 2008
September 11 - 14, 2008
Vacation
Deb Olin Unferth
2008, hardcover, McSweeney's
10 cards
Sometimes McSweeney's Book Club's books come in the mail just when you need them, sometimes they accumulate before you get to them. Luckily this one just came in time; a time where I can't go on a vacation, this book's title immediately grabbed my attention. Next I realized I'd read a book by Deb Olin Unferth before and enjoyed it immensely. Hers was one of three books that made up One Hundred and Forty Five Stories in a Small Box. A perfect solution to the weekend.
Unferth's use of language is amazing. AMAZING I tell you! Sometimes so simply written, but within a few words a web of issues, observations, life, emotion, etc. are captured. This book is told by a number of characters and voices, sometimes identified, sometimes blurring into the others' stories. I've written about truisms in books before and Unferth provides some of those here too, but she also takes on the unanswerable elements of life, acutely observes them, and while offering no answers necessarily, the space she provides for them to rumble around in your own head can offer respite to life's ongoing puzzle and its missing pieces.
Selections:
18- "Strings of parked cars receded away into a dense thicket of lots."
-"So Gray hasn't come home. The lesson learned her was to not ever, ever look forward to anything. ever. Crush expectation. Count on nothing but your own grave."
-"His own smallness, his solitude, the cul-de-sac of his mind."
-"He'd asked her to marry him almost immediately on meeting her. He knew right away he would love her."
19- "No one should spend their life going through places like this. One's mind and soul may look like this, but to have to see it outside oneself was really just too much."
20- "You never take vacations."
-index and lists
21- "Being in a hotel room does not mean you're on vacation."
23- "The day was invading through the windows and under the doors."
27- "There were also the mirrors, and other inaccurate reflections."
28- barrette
40- "She could be searching, not for something lost but for something not yet seen."
49- "The sun soaped the clouds."
50- "...gathered papers instead of writing them..."
60- "She did not heap up his heart in any way at all."
-familiarish
61-62- (I love you)
62- "You never saw so many normal people sitting around and calmly looking and not looking at each other."
75- "A sickening dream of water."
85- map
88- Esperanto
90- whistle
101- "He was already dying when he arrived."
104- "They walked back to the apartment and took up their lives."
111- "...one cannot care for every stone on the path."
113- "He felt like a verb..."
115- "But he disliked the city comprehensively..."
122- life story- book- time- "A man could spend a life telling stories."
123- untraining
-"I walk along my own line of footprints, following myself there and back."
125- "I'm a solo show."
-"You know how it is to want something. Desire builds like a little house in your head and it sits there, half-constructed in your mind. Women who want children are this way. Artists are this way about pictures. It doesn't go away. You may forget for a few months but then it's back, the unfinished pieces of what you want. I don't want anything. I'm fine."
130- no big loves- parents' marriage
131- "I had never been close to anyone, not really, and I wanted to try."
133- "Every man has a weakness, she said. Every man has a past."
134- jumping- Becauses
136- "The insane sound of the cicada."
138- "Where do you go when you leave?"
-"Nowhere, it turned out."
140- "There may have been things wrong with him from the start...his unrealized potential, what he hadn't done..."
142- "It's amazing how unobservant people are, how focused they are on themselves and their own crusades."
143- "A man with a book like that is a man with a place to be."
144- Corn Island- the map
146- "People do things like this, they do, and if it doesn't make them happy, at least it keeps them alive."
147- "I remained. Because that, it turns out, is who I am."
-"Leaving, staying, it's all to hard. I'm still walking around these same places. I am itinerant but steadfast. It takes bravery to care for someone....The risk involved is enormous."
-"Maybe everyone goes back. We chase the thing we flee."
154- giraffe
155- "the whole point of marriage being the guarantee that there exists one citizen on earth who is under contract to deal honestly with you."
161- "a papery existence"
167- "A man leaves a place..."
-"stubborn stuck nails that humans are..."
168- office of stamps
172- pirate ship
175- "Have you ever asked her anything at all?"
178- "A vacation is simply, you know, to vacate. The vacationer leaves the homes (leaves the mind), leaves the home empty (except for what he left behind (her)), that's all. No, no, that's not a vacation, if you simply move to a different spot. That's just looking at stuff, familiar stuff."
179- Coney Island
-vacation- writing postcards
182- Aquarium
190- "Sometimes in large churches, people are crushed beneath them and can't pull themselves out. Sometimes people tumble into the sea and are drowned."
202- "You don't surrender what's yours
204- cloud
206 (briefcase) "the rectangular prison of her husband's soul"
208- "There are many ways to see the world."
212- "All life is urgent."
213- bravest walk
July 10 - September 10, 2008
A Mythic Obsession: The World of Dr. Evermor
Tom Kupsh
2008, hardcover
7 cards
If you've been to Baraboo, Wisconsin chances are you've visited The Forevertron (or the Circus World Museum). On my second
trip to Baraboo I visited The Forevertron with Amanda. That day
Tom Kupsh
2008, hardcover
7 cards
If you've been to Baraboo, Wisconsin chances are you've visited The Forevertron (or the Circus World Museum). On my second
trip to Baraboo I visited The Forevertron with Amanda. That day
Eleanor Every invited us into a trailer where we met Tom Kupsh,
the author of this book, Tom Every and Eleanor Every. At the time Kupsh was working on this book, but after our visit to the amazing House on the Rock, this was just one of many serendipitous encounters on that trip. Every and Kupsh, as Kupsh
writes about in the book, worked together on Alex Jordan's sprawling House on the Rock, this book brought the two men together again years after their initial work. While visiting the American Visionary Museum this summer, with Amanda also,
we saw one of Tom Every's birds on the museum's grounds, and
then I found this new book in the bookstore.
A Mythic Obsession documents one man's individual vision and ideas, adding details to the stories that are already out there. Kupsh begins the book with a very apt quote from Rumi, "Start a huge, foolish
project, like Noah. It makes absolutely no difference what people think of you." Though in Tom Every's case, we think highly. An important reminder that what we should strive for is living an "uncommon life".
Selections:
1- related to pirates
6- (Dad patching buildings with old signs) "...always trying to figure out how to do something with what you've got."
-Alex Jordan- boxer- fight
-"disease of all"
10- not attending the prom
15- (date with Eleanor) "We're going to go to the House on the Rock..."
16- "After you tear something down, what do you have to look at? Nothing..."
18- The House on the Rock
22- The Inferno
27- collecting and Alex Jordan and House on the Rock
29-30- Dr. Evermor and the Forevertron story
35- Tom: "I have to make a decision- whether to do this or not."
44- Edison bipolar dynamos
-"He is very proud of his collection, which documents the early history of motors and the generation of electricity; all of these silently play their part in the Forevertron myth."
47- "highball it to heaven"
50- "So they had to have somebody report back in to the rest of the nonbelievers. That's where the telescope comes in."
54- Magnetic Laser Love Guns
66- "fascinated by what he calls the 'spirit' of the tools and machines that he salvages, and he wants us to see them as alive with the spirit of those who made or used them."
-"...I like you, it's just fine the way you are."
-"...his work is not only a new work but also a preservation of the past."
67- "Tom believes that you have to lose yourself in your work to find yourself in your life."
-different time periods- time and place, malleable
-Tom the "Time-Binder"
72- "The Forevertron is all built on hopelessness."
-"He built this piece to heal himself- to take [and use] all the treasures that he found that no one else was going to do anything with- so it was healing."
75- "...Tom set about saying in metal what words and actions had failed to express."
76- birds- fantasies
91- Eagle's Head- Tom: "It's a piece that really brings home the message that everything is in the way that you look at it."
115- "dreams have two components- one is the time scale and the other is the spatial scale"
118- neighborhood- "a time when everything was within walking distance..."
125- "Just as his work is made by joining together a wide variety of components, so too his wide circle of friends seems joined together with him as glue."
126- Happy Hatter- tin foil hats
127- producing artist
128- (Tom) "welcomes everyone and accepts them just as they are
131- Joel la Troll
139- intuitive process
178- handwritten letters
182- "In its best moments, Tom's work invites us to join with him in our common struggle to be free, to excel, to rise above our own frail human condition, and to live an uncommon life."
writes about in the book, worked together on Alex Jordan's sprawling House on the Rock, this book brought the two men together again years after their initial work. While visiting the American Visionary Museum this summer, with Amanda also,
we saw one of Tom Every's birds on the museum's grounds, and
then I found this new book in the bookstore.
A Mythic Obsession documents one man's individual vision and ideas, adding details to the stories that are already out there. Kupsh begins the book with a very apt quote from Rumi, "Start a huge, foolish
Selections:
1- related to pirates
6- (Dad patching buildings with old signs) "...always trying to figure out how to do something with what you've got."
-Alex Jordan- boxer- fight
-"disease of all"
10- not attending the prom
15- (date with Eleanor) "We're going to go to the House on the Rock..."
16- "After you tear something down, what do you have to look at? Nothing..."
18- The House on the Rock
22- The Inferno
27- collecting and Alex Jordan and House on the Rock
29-30- Dr. Evermor and the Forevertron story
35- Tom: "I have to make a decision- whether to do this or not."
44- Edison bipolar dynamos
-"He is very proud of his collection, which documents the early history of motors and the generation of electricity; all of these silently play their part in the Forevertron myth."
47- "highball it to heaven"
50- "So they had to have somebody report back in to the rest of the nonbelievers. That's where the telescope comes in."
54- Magnetic Laser Love Guns
66- "fascinated by what he calls the 'spirit' of the tools and machines that he salvages, and he wants us to see them as alive with the spirit of those who made or used them."
-"...I like you, it's just fine the way you are."
-"...his work is not only a new work but also a preservation of the past."
67- "Tom believes that you have to lose yourself in your work to find yourself in your life."
-different time periods- time and place, malleable
-Tom the "Time-Binder"
72- "The Forevertron is all built on hopelessness."
-"He built this piece to heal himself- to take [and use] all the treasures that he found that no one else was going to do anything with- so it was healing."
75- "...Tom set about saying in metal what words and actions had failed to express."
76- birds- fantasies
91- Eagle's Head- Tom: "It's a piece that really brings home the message that everything is in the way that you look at it."
115- "dreams have two components- one is the time scale and the other is the spatial scale"
118- neighborhood- "a time when everything was within walking distance..."
125- "Just as his work is made by joining together a wide variety of components, so too his wide circle of friends seems joined together with him as glue."
126- Happy Hatter- tin foil hats
127- producing artist
128- (Tom) "welcomes everyone and accepts them just as they are
131- Joel la Troll
139- intuitive process
178- handwritten letters
182- "In its best moments, Tom's work invites us to join with him in our common struggle to be free, to excel, to rise above our own frail human condition, and to live an uncommon life."
Labels:
Baraboo,
dream,
House on the Rock,
letters,
pirate,
The Forevertron,
Tom Every,
walking,
Wisconsin
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