October 8 - 12, 2008

Chicken with Plums
Marjane Satrapi
2006, hardcover
1 card

7- "As someone once said, 'To live, it's not enough to be alive.'"
63- Rumi- The Story of the Elephant
64- "Each one had given his interpretation of the animal according to what he had touched. Life is the same. We give meaning to life based on our point of view."
-"The key to wisdom is doubt."

October 1 - 10, 2008

Fargo Rock City
Chuck Klosterman
2001, hardcover
9 cards

8- "As a writer, there is nothing more flattering than having someone invest their thoughts into something your wrote."
18- "Whenever people look back on their grammar school days, they inevitably insist that they remember feeling 'safe' or 'pure' or 'hungry for discovery.' Of course, the people who say those things are lying (or stupid or both). It's revisionist history..."
25- Brian Eno, "Only a thousand people bought the first Velvet Underground album, but every one of them became a musician."
55- "Sadness and evil are always more believable than happiness and love."
58- metal and interpretation
71- "What music 'means' is almost completely dependent on the people who sell it and the people who buy it, not the people who make it. Our greatest artists are the ones who understand how they can be interesting and unique within those limitations."
72- "Glam is a struggle against normalcy."
73- who has listened to the New York Dolls
105- "The only thing important about art is how it affects people. It only needs to affect one person to be interesting, but it had to affect many to be important."
118- males, loyalty to bands
138- "Life makes art."
221- Americanphile
225- "Hating (and sometimes mocking) music is just as important as loving (and embracing) music."
272- Stone Temple Pilots, Interstate Love Song

August 27 - October 5, 2008

Looking Up Rachel Whiteread's Water Tower
Public Art Fund
Hardcover, 1998
10 cards

Many people who have walked with me in a city know about my interest in water towers. I have given some thought as to why these structures interest me. Partly it's because they signify city to me, there were no such water towers in town I was from. It seems as if they're a tangible expression of time- particularly in Detroit, they're a sign of earlier life and vitality, the towers haunting the sky to some degree. They have a presence in the sky and they also have a function. I try to capture as many as I can in snapshots since each feels unique. Rachel Whiteread also took an interest in water towers and explored, researched and created a project inspired by the water towers of New York. I've had my eye on this book for a while but the truly wonderful Strand Bookstore had it for $5 or so, and thus I found my copy.

Whiteread's tower now seems to be on MoMA's roof. Whiteread chose a trasnslucent material to cast her water tower unlike the dense materials of her casting of house interiors (I saw Ghost this summer at the National Gallery) prevent one from entering the former interior. What is it about water towers that lets us in? I'm still not sure but perhaps in continuing to return to such a question there the answers will become as interesting as the question. I just started thinking about the way water towers are part of networks, relationship which I realize more and more each day underlie many projects and interests of mine.

Some excerpts:
13- Joan Didion, The White Album, "Water is important to people who do not have it, and the same is true of power."
-arid climates, water- "liquid capital"
15- "The skyline of old New York is the engineering consequence of the reserves of water held in upstate regions."
-1998- 17,000 rooftop water tanks in NYC
16- "Human habitations must be protected from their own effects."
17- "In present-day New York City, the politics of land values can be read in the architecture of the skyline. Water, like any other system, is political: power that can be channeled, streamed, diverted and stored."
18- "To look at Whiteread's Water Tower is not only to be reminded of the origins of what we take for granted but also to delve into the functioning of a larger system of which wooden water towers are merely the visible pinnacles."
20-Ilya Kabakov, Monument to the Lost Glove
22- David Hammons
-"the projects in their city locations are 'open texts' which invite many possible readings and individual perceptions."
23- Gordon Matta- Clark
24- 1st research trip- walking
25- Bernd and Hilla Becher
-"The water tower is part of the complex system by which water is collected and distributed. Consisting of a water tank and a tower-like substructure, it fulfills 2 purposes at the same time: storage and the maintenance of pressure."
27- almost disappearing, invisible
-"part of the sky itself"
28- "those who seek it out will find it"
45- Foxwoods
47- "The greatest pleasure in life is doing what people say you cannot do."

Cabin the Sky, Luc Sante
89- "Although omnipresent, and comforting, in their omnipresence, water towers have nevertheless managed to avoid dull familarity. You never quite cease to see them..."
-"strictly functional idea"
92- Bechers- "It is the Bechers's mission to document with scientific rigor the architectural remnants of the age of industry."
-"They were never intended to be any more than strictly utilitarian."
-"their abject and uncompromising simplicity."
The Immigrant- Molly Nesbit
99- Gerhard Richter- city of New York
100- Rem Koolhaus- "count the rabbits"
-"to make something not there"
-"she would retreat from the skyline to return to it."
101- J. G. Ballard's Crash
102- Nietzsche
105-106 "She gave peace an urban shape in her inverted tower of water"
106- country moment "When there are no birds singing, and there's no wind, you just get this silence that is absolute concrete, it completely smothers you."
-"But New York is not itself capable of this kind of silence."
-"What is an artist? Neither tourist nor traveler exactly."
-107- "For a large work of art like Water Tower is in effect asking to be held only by the world."
108- "No city on earth, no life on earth, has the scale of sky."
-"Clouds are notoriously silent."
163- Moondance Diner (now closed)
166- RW: "I really wanted to make something that was more like an intake of breath."
170- Robert Leonard: "It reflects the idea of a monument without marking a site that a monument would normally mark as being significant. It is an empty form waiting for meaning to attach itself to it."
171- Trisha Brown: "people didn't look up; artists probably did"
173- Trisha Brown, Roof Piece, Soho, 1972
176- Dan Graham- Two Way Mirror Inside Cube
183- Ingrid Schaffner- "this city's particular capacity to inspire whomever is simply prepared to look."
188- David Zwirner: "Looking for it is almost just as satisfying as finding it."
195- Diane Lewis: "The city is a text...But an existential description of the city as a history is that history has no objective, the art is to give it one, by reading of the city not as a history but as une histoire, a story."

"Books are places of identification, receptacles of collected insight. Even if you only read a book once in your lifetime, as it stands on your bookshelf it symbolizes a storehouse of experience on which you repeatedly draw in the process of remembering. A subjective selection of ten favorite books, therefore, represents an intellectual spiritual storehouse in and through which individuals rediscover, nourish and redefine themselves. Tell me what you read and I'll tell you who you are."

-Bernhart Schwenk writing about the artist the work of Peter Wuthrich

September 16 - 29, 2008

Kafka on the Shore

Haruki Murakami

2005, hardcover

27 cards

I've been meaning to read one of Haruki Murakami's books for a few years now. A couple of years ago a co-worker recommended The Wind-Up Bird Chronicles and, more recently, his memoir that overlaps with running sounds interesting. But it was when Jen recommended Kafka on the Shore and sent me the New Yorker review of the book (Jen reads New Yorkers cover to cover in order, I think she may be up to June right now but I could be wrong) that I decided this was the one to start with.

A meditation on life, Chances are you the reader has not become involved in a murder like part of the storyline, there are moments that may reflect your own grappling with a life lived, or at least that's what this book offered me. Thoughtful insights abound resulting from ordinary life moments as well as a few of the extraordinary variety. And Chip Kidd designed the cover.

Selections:

4- "Distance might not solve anything."

11- map

15- "You know how it is. When kids start playing together and get completely absorbed by whatever they're doing, they don't care about things like that anymore."

18- clouds- angle

21- "In traveling, a companion, in life, compassion."

-"'I think it means,' I say, 'that chance encounters are what keep us going."

30- map

31- diner

31- "Like the clouds floating across the sky, I'm all by myself, totally free."

32- libraries

36- odor of books

-"This is exactly the place I've been looking for forever."

37- "people spend their time running around trying to locate their missing other half."

-"my point is that it's really hard for people to live their lives alone."

-diner

44- cat and name- "I had one, I know I did, but somewhere along the line I didn't need it anymore. So it slipped my mind."

46- cats- creatures of habit

54- (Kafka) "I think what Kafka does is give a purely mechanical explanation of that complex machines in the story...that's his own device for explaining the kind of lives we lead. Not by talking about our situation, but by talking about the details of the machine."

68- (apartment) "Seedy, all right, but at least it had the feel of real people living real lives."

83- (no kids) "But it's not a good ideas to make decisions so soon. There's no such thing as absolutes."

94- "Was the sound of birds I was hearing real?"

99- clinging to something- Goethe- "Everything's a metaphor"

102-103- (Schubert) "...works that have a certain imperfection to them have an appeal for that very reason- or at least they appeal to certain types of people....You discover something about that work that tugs at your heart- or maybe we should say the work discovers you."

104- "...People soon get tired of things that aren't boring, but not of what is boring."

105- "But solitude comes in different varieties..."

122- (pencilled note, Eichmann bio)- "It's all a question of imagination. Our responsibility begins with the power to imagine. It's just like Yeats said: IN dreams begin responsibilities. Flip this around and you could say that when there's no power to imagine, no responsibility can arise. Just like we see with Eichmann."

127- "...silence, I discover, is something you can actually hear."

141- "...whatever is it you're seeking won't come in the form you're expecting."

174- "People who look normal and live a normal life- they're the ones you have to watch out for."

175- "The more connections, the deeper the meaning."

-"What matters is that you see things with your own eyes."

-"If you try to use your head to think about things, people don't want to have anything to do with you."

176- "Boundaries between things are disappearing all the time."

182- labyrinth

189- "A theory is a battlefield in your head."

191- diner

203- record player and record- "If possible I'd like to listen to the record to hear how it originally sounded."

-"All like the ruins of some not-so-distant past."

210- (song) "One by one the words find a home in my heart."

225- pirate

-"Artists are those who can evade the verbose."

-"If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer functions as a poem."

232- Bob Dylan

235- "My grandpa always said asking a question is embarrassing for a moment, but not asking is embarrassing for a lifetime."

236- pickles

238- diner

240- Colonel Sanders

248- bird- branch- wind- "vision shifts"

253- Bergson- "The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory."

255- "A revelation leaps over the borders of the everyday. A life without revelation is no life at all. What you need is to move from reason that observes to reason that acts."

265- "God only exists in people's minds."

-"If you think God's there, He is. If you don't, he isn't."

276- "Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover."

276- painting

278- "All of us are dreaming."

284- "Nakata's like a library without a single book."

292- "People actually prefer not being free."

-Australian Aborigines, fenceless civilization until 17th century

294- "Or maybe I just wanted to keep myself busy, so I set a goal that kept me running around and my mind occupied."

-"If it wasn't for that project, I probably would've withdrawn even further from reality and ended up completely isolated."

299- "the post rain scent in the air"

302- "The world would be a real mess if everybody was a genius. Somebody's got to keep watch, take care of business..."

326- "So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside."

327- "The longer people live, the more they learn to distinguish what's important from what's not."

-"You're in the middle of something wonderful, something so tremendous you may never experience it again. But you can't really understand how wonderful it is. That makes you impatient. And that, in turn, leads you to despair."

332- pickles

334- map- diner

334- "'But what the heck are you looking for?' Hoshino asked after they'd eaten. 'I don't know. But I think-' 'that you'll know it when you see it. And until you see it, you won't know what it is.'"

349- "Believing that art itself, and the proper expression of emotions, was the most sublimed thing in the world, he though political power and wealth only served one purpose: to make art possible."

359-360- "War breeds war."

365- "The process of writing was important. Even though the finished product is completely meaningless."

365- painting

370- letter- secret

373- "Why does loving somebody mean you have to hurt them just as much? I mean, if that's the way it goes, what's the point of loving someone? Why the hell does it have to be like that?"

377- "Can nothingness increase?"

379- "You changed my life...things look different to me now. ... I've started to see the world through your eyes."

382- pickles

390- Truffant- 400 Blows

392- names- "There's no need to call me, she says. If you need me, I'll be here."

405- hold a book

427 (quiet, power) "People that don't get it never will."

432- "Every one of us is losing something precious to us...Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads- at least that's where I imagine it- there's a little room where we store those memories. A room like the stacks in the library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while..."

-"People need a place they can belong."

435- time

September 11 - 14, 2008

Vacation

Deb Olin Unferth

2008, hardcover, McSweeney's

10 cards

Sometimes McSweeney's Book Club's books come in the mail just when you need them, sometimes they accumulate before you get to them. Luckily this one just came in time; a time where I can't go on a vacation, this book's title immediately grabbed my attention. Next I realized I'd read a book by Deb Olin Unferth before and enjoyed it immensely. Hers was one of three books that made up One Hundred and Forty Five Stories in a Small Box. A perfect solution to the weekend.

Unferth's use of language is amazing. AMAZING I tell you! Sometimes so simply written, but within a few words a web of issues, observations, life, emotion, etc. are captured. This book is told by a number of characters and voices, sometimes identified, sometimes blurring into the others' stories. I've written about truisms in books before and Unferth provides some of those here too, but she also takes on the unanswerable elements of life, acutely observes them, and while offering no answers necessarily, the space she provides for them to rumble around in your own head can offer respite to life's ongoing puzzle and its missing pieces.

Selections:

18- "Strings of parked cars receded away into a dense thicket of lots."

-"So Gray hasn't come home. The lesson learned her was to not ever, ever look forward to anything. ever. Crush expectation. Count on nothing but your own grave."

-"His own smallness, his solitude, the cul-de-sac of his mind."

-"He'd asked her to marry him almost immediately on meeting her. He knew right away he would love her."

19- "No one should spend their life going through places like this. One's mind and soul may look like this, but to have to see it outside oneself was really just too much."

20- "You never take vacations."

-index and lists

21- "Being in a hotel room does not mean you're on vacation."

23- "The day was invading through the windows and under the doors."

27- "There were also the mirrors, and other inaccurate reflections."

28- barrette

40- "She could be searching, not for something lost but for something not yet seen."

49- "The sun soaped the clouds."

50- "...gathered papers instead of writing them..."

60- "She did not heap up his heart in any way at all."

-familiarish

61-62- (I love you)

62- "You never saw so many normal people sitting around and calmly looking and not looking at each other."

75- "A sickening dream of water."

85- map

88- Esperanto

90- whistle

101- "He was already dying when he arrived."

104- "They walked back to the apartment and took up their lives."

111- "...one cannot care for every stone on the path."

113- "He felt like a verb..."

115- "But he disliked the city comprehensively..."

122- life story- book- time- "A man could spend a life telling stories."

123- untraining

-"I walk along my own line of footprints, following myself there and back."

125- "I'm a solo show."

-"You know how it is to want something. Desire builds like a little house in your head and it sits there, half-constructed in your mind. Women who want children are this way. Artists are this way about pictures. It doesn't go away. You may forget for a few months but then it's back, the unfinished pieces of what you want. I don't want anything. I'm fine."

130- no big loves- parents' marriage

131- "I had never been close to anyone, not really, and I wanted to try."

133- "Every man has a weakness, she said. Every man has a past."

134- jumping- Becauses

136- "The insane sound of the cicada."

138- "Where do you go when you leave?"

-"Nowhere, it turned out."

140- "There may have been things wrong with him from the start...his unrealized potential, what he hadn't done..."

142- "It's amazing how unobservant people are, how focused they are on themselves and their own crusades."

143- "A man with a book like that is a man with a place to be."

144- Corn Island- the map

146- "People do things like this, they do, and if it doesn't make them happy, at least it keeps them alive."

147- "I remained. Because that, it turns out, is who I am."

-"Leaving, staying, it's all to hard. I'm still walking around these same places. I am itinerant but steadfast. It takes bravery to care for someone....The risk involved is enormous."

-"Maybe everyone goes back. We chase the thing we flee."

154- giraffe

155- "the whole point of marriage being the guarantee that there exists one citizen on earth who is under contract to deal honestly with you."

161- "a papery existence"

167- "A man leaves a place..."

-"stubborn stuck nails that humans are..."

168- office of stamps

172- pirate ship

175- "Have you ever asked her anything at all?"

178- "A vacation is simply, you know, to vacate. The vacationer leaves the homes (leaves the mind), leaves the home empty (except for what he left behind (her)), that's all. No, no, that's not a vacation, if you simply move to a different spot. That's just looking at stuff, familiar stuff."

179- Coney Island

-vacation- writing postcards

182- Aquarium

190- "Sometimes in large churches, people are crushed beneath them and can't pull themselves out. Sometimes people tumble into the sea and are drowned."

202- "You don't surrender what's yours

204- cloud

206 (briefcase) "the rectangular prison of her husband's soul"

208- "There are many ways to see the world."

212- "All life is urgent."

213- bravest walk

July 10 - September 10, 2008

A Mythic Obsession: The World of Dr. Evermor
Tom Kupsh
2008, hardcover
7 cards

If you've been to Baraboo, Wisconsin chances are you've visited The Forevertron (or the Circus World Museum). On my second
trip to Baraboo I visited The Forevertron with Amanda. That day

Eleanor Every invited us into a trailer where we met Tom Kupsh,

the author of this book, Tom Every and Eleanor Every. At the time Kupsh was working on this book, but after our visit to the amazing House on the Rock, this was just one of many serendipitous encounters on that trip. Every and Kupsh, as Kupsh
writes about in the book, worked together on Alex Jordan's sprawling House on the Rock, this book brought the two men together again years after their initial work. While visiting the American Visionary Museum this summer, with Amanda also,
we saw one of Tom Every's birds on the museum's grounds, and
then I found this new book in the bookstore.

A Mythic Obsession documents one man's individual vision and ideas, adding details to the stories that are already out there. Kupsh begins the book with a very apt quote from Rumi, "Start a huge, foolish project, like Noah. It makes absolutely no difference what people think of you." Though in Tom Every's case, we think highly. An important reminder that what we should strive for is living an "uncommon life".

Selections:
1- related to pirates
6- (Dad patching buildings with old signs) "...always trying to figure out how to do something with what you've got."
-Alex Jordan- boxer- fight
-"disease of all"
10- not attending the prom
15- (date with Eleanor) "We're going to go to the House on the Rock..."
16- "After you tear something down, what do you have to look at? Nothing..."
18- The House on the Rock
22- The Inferno
27- collecting and Alex Jordan and House on the Rock
29-30- Dr. Evermor and the Forevertron story
35- Tom: "I have to make a decision- whether to do this or not."
44- Edison bipolar dynamos
-"He is very proud of his collection, which documents the early history of motors and the generation of electricity; all of these silently play their part in the Forevertron myth."
47- "highball it to heaven"
50- "So they had to have somebody report back in to the rest of the nonbelievers. That's where the telescope comes in."
54- Magnetic Laser Love Guns
66- "fascinated by what he calls the 'spirit' of the tools and machines that he salvages, and he wants us to see them as alive with the spirit of those who made or used them."
-"...I like you, it's just fine the way you are."
-"...his work is not only a new work but also a preservation of the past."
67- "Tom believes that you have to lose yourself in your work to find yourself in your life."
-different time periods- time and place, malleable
-Tom the "Time-Binder"
72- "The Forevertron is all built on hopelessness."
-"He built this piece to heal himself- to take [and use] all the treasures that he found that no one else was going to do anything with- so it was healing."
75- "...Tom set about saying in metal what words and actions had failed to express."
76- birds- fantasies
91- Eagle's Head- Tom: "It's a piece that really brings home the message that everything is in the way that you look at it."
115- "dreams have two components- one is the time scale and the other is the spatial scale"
118- neighborhood- "a time when everything was within walking distance..."
125- "Just as his work is made by joining together a wide variety of components, so too his wide circle of friends seems joined together with him as glue."
126- Happy Hatter- tin foil hats
127- producing artist
128- (Tom) "welcomes everyone and accepts them just as they are
131- Joel la Troll
139- intuitive process
178- handwritten letters
182- "In its best moments, Tom's work invites us to join with him in our common struggle to be free, to excel, to rise above our own frail human condition, and to live an uncommon life."