Showing posts with label Esperanto. Show all posts
Showing posts with label Esperanto. Show all posts

Sunday, September 14, 2008

September 11 - 14, 2008


Vacation
Deb Olin Unferth
2008, hardcover, McSweeney's
10 cards

Sometimes McSweeney's Book Club's books come in the mail just when you need them, sometimes they accumulate before you get to them. Luckily this one just came in time; a time where I can't go on a vacation, this book's title immediately grabbed my attention. Next I realized I'd read a book by Deb Olin Unferth before and enjoyed it immensely. Hers was one of three books that made up One Hundred and Forty Five Stories in a Small Box. A perfect solution to the weekend.

Unferth's use of language is amazing. AMAZING I tell you! Sometimes so simply written, but within a few words a web of issues, observations, life, emotion, etc. are captured. This book is told by a number of characters and voices, sometimes identified, sometimes blurring into the others' stories. I've written about truisms in books before and Unferth provides some of those here too, but she also takes on the unanswerable elements of life, acutely observes them, and while offering no answers necessarily, the space she provides for them to rumble around in your own head can offer respite to life's ongoing puzzle and its missing pieces.

Selections:
18- "Strings of parked cars receded away into a dense thicket of lots."
-"So Gray hasn't come home. The lesson learned her was to not ever, ever look forward to anything. ever. Crush expectation. Count on nothing but your own grave."
-"His own smallness, his solitude, the cul-de-sac of his mind."
-"He'd asked her to marry him almost immediately on meeting her. He knew right away he would love her."
19- "No one should spend their life going through places like this. One's mind and soul may look like this, but to have to see it outside oneself was really just too much."
20- "You never take vacations."
-index and lists
21- "Being in a hotel room does not mean you're on vacation."
23- "The day was invading through the windows and under the doors."
27- "There were also the mirrors, and other inaccurate reflections."
28- barrette
40- "She could be searching, not for something lost but for something not yet seen."
49- "The sun soaped the clouds."
50- "...gathered papers instead of writing them..."
60- "She did not heap up his heart in any way at all."
-familiarish
61-62- (I love you)
62- "You never saw so many normal people sitting around and calmly looking and not looking at each other."
75- "A sickening dream of water."
85- map
88- Esperanto
90- whistle
101- "He was already dying when he arrived."
104- "They walked back to the apartment and took up their lives."
111- "...one cannot care for every stone on the path."
113- "He felt like a verb..."
115- "But he disliked the city comprehensively..."
122- life story- book- time- "A man could spend a life telling stories."
123- untraining
-"I walk along my own line of footprints, following myself there and back."
125- "I'm a solo show."
-"You know how it is to want something. Desire builds like a little house in your head and it sits there, half-constructed in your mind. Women who want children are this way. Artists are this way about pictures. It doesn't go away. You may forget for a few months but then it's back, the unfinished pieces of what you want. I don't want anything. I'm fine."
130- no big loves- parents' marriage
131- "I had never been close to anyone, not really, and I wanted to try."
133- "Every man has a weakness, she said. Every man has a past."
134- jumping- Becauses
136- "The insane sound of the cicada."
138- "Where do you go when you leave?"
-"Nowhere, it turned out."
140- "There may have been things wrong with him from the start...his unrealized potential, what he hadn't done..."
142- "It's amazing how unobservant people are, how focused they are on themselves and their own crusades."
143- "A man with a book like that is a man with a place to be."
144- Corn Island- the map
146- "People do things like this, they do, and if it doesn't make them happy, at least it keeps them alive."
147- "I remained. Because that, it turns out, is who I am."
-"Leaving, staying, it's all to hard. I'm still walking around these same places. I am itinerant but steadfast. It takes bravery to care for someone....The risk involved is enormous."
-"Maybe everyone goes back. We chase the thing we flee."
154- giraffe
155- "the whole point of marriage being the guarantee that there exists one citizen on earth who is under contract to deal honestly with you."
161- "a papery existence"
167- "A man leaves a place..."
-"stubborn stuck nails that humans are..."
168- office of stamps
172- pirate ship
175- "Have you ever asked her anything at all?"
178- "A vacation is simply, you know, to vacate. The vacationer leaves the homes (leaves the mind), leaves the home empty (except for what he left behind (her)), that's all. No, no, that's not a vacation, if you simply move to a different spot. That's just looking at stuff, familiar stuff."
179- Coney Island
-vacation- writing postcards
182- Aquarium
190- "Sometimes in large churches, people are crushed beneath them and can't pull themselves out. Sometimes people tumble into the sea and are drowned."
202- "You don't surrender what's yours
204- cloud
206 (briefcase) "the rectangular prison of her husband's soul"
208- "There are many ways to see the world."
212- "All life is urgent."
213- bravest walk

Wednesday, May 28, 2008

May 14 - 24, 2008


Fischli and Weiss The Way Things Go
Jeremy Millar
2007, hardcover
18 cards

Fischli and Weiss are amazing. Joel and Amanda told me all about them this past summer after they say an exhibition of their work in Europe. Then MoCAD had their work Questions in the brilliant Words Fail Me exhibition. Their Manifesto is also a great addition to any wall and life. This spring Joel and Amanda saw Fischli and Weiss's The Way Things Go again at the Hirshorn and picked up the DVD version of it (available on Netflix even now). This book focuses on The Way Things Go exploring why and how is fascinates in a way that expands this work in exciting directions. The book starts from observation and experience of the work in museum and people's reactions, a rich terrain upon which to build while never reducing the work's "purposeless purposiveness".

Some brief notes from my cards and reading:
-Opens with a Wittgenstein quote
-Der Lauf der Dinge (The Ways Things Go)
2- clapping
-"Even in our ignorance...it was clear that we had watched something great."
3- "...It was a little frightening, being moved like this..."
4- "what makes it popular also makes it good"
-Laurence Sterne, Tristam Shandy, 1759
-connection to Fischli and Weiss's 1984 Equilibres
8- "Our traditional means of formal analysis seems unable to deal with works, such as those, that are less concerned with external appearance than with 'internal' conceptual coherence."
9- gravity
10- procede- Raymond Roussel
-Roussel, near-neighbor of the Prousts
11- Duchamp- Roussel- The Large Glass
-Robbe-Grillet
-Foucault
12- "As with Fischli and Weiss, a rigorous play is fundamental to Roussel's practice."
-Parmi Les Noirs, 1935- identical phrases- single letter- different meanings
15- Kierkegaard "Boredom is the root of all evil."
17- change
20- anticipation
-"Everywhere things are transformed into actions, nouns become verbs."
21- illustrations by Wiliam Heath Robinson
-Frederick Winslow Taylor
23- Esperanto
24- Futurists
27- "...it seems to be both an anticipation of the birth of time and memory of its end. But where does that place us?"
28- Archytas of Tarentum- 4th c. BCE- treatise on place
29- Focillon- "'a work of art treats space according to its own needs, defines space and even creates such space as may be necessary to it.'"
32- Henri Bergson- Creative Evolution
-the concrete solution
33- Bergson, time
34- waiting- humor
- Creative Evolution- influence on Marcel Proust
36- interventions
37-38- epic and anti-epic
55- "It becomes a part of time not apart from it."
-Bruno Schulz- "Our creators will not be heroes of romances in many volumes. Their roles will be short, concise; their characters- without a background. Sometimes, for one gestures, for one word along, we shall make the effort to bring them to life."
57- Bakhtin- laughter and the epic
59- the Incongruity Tradition
-1981 film, The Least Resistance, rat and bear costumes
60- 1979 sausage series
61- At the Carpet Shop- gherkins
66- Peter Fischli, "Operating on two planes at once is part of our practice."
-Koestler- impersonator
67- Baudrillard, The System of Objects, 1968
-machines and perfection
70- The Way Things Go- "...objects do no more than they need to, no more than they are able."
-simple object, technology
-familiar and unexpected
-Bergson, Le Rire, 1900
71- automatism and life
73- "Balance is most beautiful just before it collapses."
75- rigidity
-hesitate
76- pause
-timing, comedy
77-78- Kant- "laughter as 'an affection arising from the strained expectation being suddenly reduced to nothing.'"
80- "purposeless purposiveness"
81- seeing how it was made
82- "of the smile rather than the laugh"
-"smile of wonder"
83- "This smile is not ours alone, but sits with quiet benevolence on the faces of the artists too... Just as one can hear the smile in the voice of someone talking over the phone, so one can see it in Fischli and Weiss's artworks."
-"one can produce wonder only if one succeeds"
-place of wonder in their practice
84- St. Augustine
107- Fragen (Questions), relationship to Daston and Park Questiones naturals of Adelard of Bath
87- David Weiss, "There is a reason why the Pyramids are famous. When you go there, no matter how many photographs you've seen of them before, you realize that the Pyramids are unique and that you don't understand them..."
-Heidegger
89- the sublime
-"wondrous"
91
92