Showing posts with label Gertrude Stein. Show all posts
Showing posts with label Gertrude Stein. Show all posts

Thursday, May 15, 2008

April 22 - May 13, 2008


Autobiography of Red
Anne Carson
1999, hardcover
16 cards

Autobiography of Red was recommended to me by someone who has pointed me in the direction of brilliantly fabulous books. Anne Carson is an amazing writer. She chooses words and combines them in ways that delight and surprise, and also more. Her fascination with and command of language proves what can be done with language. Other writers in comparison often only arrange letters.

Some excerpts/points of interest:
3- Gertrude Stein quote
-words bouncing
4 "Nouns name the world. Verbs activate the names. Adjectives come from somewhere else."
-"These small imported mechanisms are in charge of attaching everything in the worlds to its place in particularity. They are the latches of being."
22- Emily Dickinson, "Can human nature not survive without a listener?"
-"The only secret people keep is Immortality."
23- (stones) "To stop and imagine the life of each one!"
26- "A space for its meaning remained there but blank. The letters themselves could be found hung on branches of furniture in the area."
28- "Facts are bigger in the dark"
30-rhinestoning
36- He would remember when he was past forty the dusty almost medieval smell of the screen itself as it pressed its grid onto his face."
39- "They were two superior eels at the bottom of the tank and they recognized each other like italics."
42- map
43-"'How does distance look?' is a simple direct question, It extends from a spaceless within to the edge
of what can be loved. It depends on light."
46- "Sometimes a journey makes itself necessary."
-photograph
48- "He could feel the house of sleepers around him like loaves on shelves."
49- toast and death
51- "Red Patience"
55- painting
56- "Nothing to say. Nothing."
58- "Why are you along in this huge blank garden like a piece of electricity?"
59- Barnum circus
61- Krakatoa
65- "...photography is a way of playing with perceptual relationships."
-stars, memories
66- "...nobody knows how to look at a photograph nowadays."
-Yeats
70- "Huge wads of silence stuffed the air."
72- yellowing index card
73- donuts
-Muhammad Ali, poems
75- slide projector
80- 15 names for clouds
-"What is time made of?"
-accordion
82- Heidegger, postcards
90- "It is an abstraction. Just a meaning that we impose upon motion."
92- "White is black. Black is white. Perhaps I will get some new information about Red."
93- time, photographs
94- olives
-"Children make you see distances."
97- slippery foods
98- "Empty street below gave back nothing of itself. Cars nested along the curb on their shadows. Buildings leaned back out of the street."
-"sleeping pavement"
-moods
103- nothing
105- Philosophic problems, red
106- Walt Whitman
109- wings
120- water tank
125- "trying to think how to photograph Lima"
131- "Human Valentines"
139- "I am a beast"
-gamboling
141- time
145- Photographs #1748
-"The Only Secret People Keep"
148- blinking, blindness

Saturday, May 10, 2008

April 27 - May 8, 2008


Andy Warhol
Blow Job
Peter Gidal
Afterall Books, 2008
Part of their brilliant One Work series http://www.afterall.org/books_onework.html
11 cards

I think we're really getting into an interesting period of Warhol scholarship and this book is just one step in that direction. Warhol left a lot behind. There is a lot to deal with but in what has been dealt with, much has been overlooked. This type of focused approach to a single work is the best type of contribution to writing on Warhol since differences and minute details are integral to Warhol's practice. He left many clues but many remain to be found or deciphered to the extent of their full complexity. Gidal sets out a careful and thoughtful analysis of Blow Job while offering exciting jumps to connections between the film and Velazquez's Luncheon or Three Men at a Table as well as Duchamp's Large Glass. I love the MCA bookstore in Chicago and I was particularly excited to see that they had this new release.

Select notes/passages of interest:
1- Warhol's classic figment quote
-exploration of duration
-projected speed, flares, edge numbers, time for reel breaks
4- "...his courage in being prepared to act without denying his sexuality was no mean thing, then or now."
5- four agents in the space
7- Gertrude Stein
8- "no less real for not being seen"
-"The real world is appropriated by the film..."
11- "unendurable durations"
12- the paradox
14- Proust
15- "...not about time regained but time lost. 'In search of...' means not that you find it but that you don't."
18- "existing only in its absence"
19- Velazquez
22- "making nothing materially present"
24- mirror
26- Warhol's time
-"The fear of death doesn't need more than a moment."
-shadow
28- shadows "understanding the state of suspended or arrested recognition"
"Warhol's works are emphatically not iconic"
31- real time during the viewing
32- Proust again
-"extreme light can create an absence of image"
36- "We are unable to lose ourselves in the series of acts represented....'realism' of another kind."
37- machine and body
-"In that re-viewing, the repetition becomes a memory."
38- palimpsest
-"the taking up of time, its being filled, is what obliterates it"
40
-"Thus the subject of the film is never just what you 'see.'"
-silkscreens and squeegee marks
41- Warhol titles
45- boredom
46 (Warhol film) "you are left bereft"
59 Henri Bergson (via Bertrand Russell)
60- the subject and where it exists
61- adequateness and language
61-63-discussion of leaders
63- The Chelsea Girls- silent screen, indexical
64- Empire- "the skyscraper can be both itself and an image of a stable structure and fragile evanescence."
-printing of Sleep
-discussion of time and death towards the bottom of the page
65- "'You don't have sex with a name.'"
66- "So what."
69- time held- Suicide silkscreen
71- "In Warhol's films, meaning is, in the end, always determined by production not consumption. And in the beginning too."
73- Duchamp's Large Glass
73-74- concept of Marcel Duchamp
75- stillness
76- uttering a word- "no sooner spoken than unspoken"
78- moments only