August 31 - September 2, 2008

Horses

by Philip Shaw

33 1/3 Books, 2008, paperback

19 cards

The first time I saw Patti Smith was on R.E.M.'s Monster tour in 1995. I was in high school. I didn't know much about her yet but I knew that she was someone to find out more about, much like R.E.M. pointed me towards The Velvet Underground. I don't remember the quote exactly but I recall Michael Stipe saying once how when he heard Horses he realized anyone could sing, that he could sing. R.E.M.'s music and interests gave me a perspective beyond the one-traffic light town I lived in. Because of Horses significance to Stipe, the bits I know about Patti Smith, and the concerts of hers I've seen since, I was excited to see that the 33 1/3 book about her focused on Horses.

Philip Shaw's story of musical discovery and research bears some similarities to mine, though his was guided by Ian Curtis and Joy Division and Patti Smith, who he knew first through the Horses cover. The format and approach for 33 1/3 books varies with the author. Shaw writes about Horses as a fan, as well as the necessary invocation of Rimbaud while also discussing it through other texts. As he says, "...Horses is about what happens when we listen as well as read."

Selections:

3- "...but from Patti Smith I learned that the loss of control, a key word for Ian Curtis, need not lead to a suicidal walk 'upon the edge of escape' (She's Lost Control Again) As Land taught me, the loss of control could lead, equally, to the sea of possibilities."

7- Velvet Underground and Warhol

8- Bob Dylan

9- Robert Mapplethorpe

13- rigor and taking music seriously

-"Elvis Costello line (the attribution is disputed) 'writing about music is like dancing about architecture.'"

15- "unlike other cultural forms, music is where we are most likely to encounter ourselves"

16- "What music offers is the promise of release from the restrictions of everyday life. But such a release is, of course, illusory, and just as ideology works to convince its subjects that they are, in fact, outside ideology, thus rendering itself immune to critique and to the potential for revolt, so music, by concealing its origins in commerce, and by providing a sense of escape from the workaday world, operates as a lure to critical consciousness. To be lost in music, released form the nine to five, is to feel alive, but also, as Sister Sledge adds, to be 'Caught in a trap': for who, once they have experience such freedom, would wish to reflect on it? Might the act of close critical engagement ruin the illusion?"

19- "nothing is more heady in the sense of intoxicating, than the champagne froth of a radical new idea."

22- Benjamin

23- the Situationists

24- "With each song, Smith presents a sort of photographic negative, her characters inhabiting a shadow version of the land of the free."

28- Lacan: "A certificate tells me that I was born. I repudiate this certificate: I am not a poet, but a poem. A poem that is being written, even if it looks like a subject."

-"Patti Smith always distrusted the idea that human beings possess a fixed or stable identity."

29- "Yes, she is a poet, and she is a poem that is written."

-eye patch

30- Rimbaud- self-fashioning

33- Alice in Wonderland

37- Philadelphia Museum of Art

41- Illuminations

44- Piss Factory

-that photograph

49- drawings

52- "death by water"

-"how many tears on your pillow. crocodile or real. watershed."

52- T.S. Eliot

54- "the night stretched like a cloud"

55- (questions) "Perhaps all of these or none of these things."

56- PS: "I had to go to Paris to find myself as an artist, but I came back to New York filled with words and rhythms."

56- close alliance with Lenny Kaye

60- Sam Shepard- PS: Shepard's "whole life moves on rhythms. He's a drummer."

61- street angel

62- "her stress on the act of reading"

63- words, language

66- longing

67- Rimbaud quote- women

70- Artaud

72- Richard Hell: "The art-form of the future is celebrityhood."

76- Gross: "She was a woman who dared to get up on stage and not smile- not aim to please."

77-78- silences

86- Patty Hearst- "I am nobody's million dollar baby."

97- John Cale- mirror quote

98- Horses read as artifact

102- "Again, who is singing here, and to whom?"

106- Lacan, Zizek

121- album "form of memento mori, an artistic meditation on the limits of mortality."

122- Jim Morrison- the task

128- Voltaire- back to England- Louis XV- said to have asked him: 'What did you learn over there?' 'To think, sire.' (penser- to think), to which the King replied, 'Horses?' (panser- to groom horses)"

129- "Horses, then, is about thinking; or rather, it is about allowing oneself to be thought..."

131- Barthes

132- Lacan- child- mirror

August 22 - 30, 2008

Richard Brautigan's Trout Fishing in America

The Pill versus the Springhill Mind Disaster

and In Watermelon Sugar

1967, paperback

14 cards

One thing that has surprised me this year is the number of books, amazing books, that people have recommended to me this year. The thing is though that these recommendations come about much more casually than I anticipate. This book was suggested by Patrick, who a few years ago led me to reading Patricia Bostworth's biography about Diane Arbus, even though it too was mentioned casually. Have you read any of Brautigan's books? If the answer is no, you should. I'd never heard of Brautigan until now, but once I have of course he pops up in the most unexpected places (the book is in the corner of a photograph of The Kills in the New Yorker supplement Fashion Rocks).

Brautigan is not merely a symbol of hipness or rock 'n' roll, he's a writer who commands language, leading it to new heights and possibilities: "glass whiskers of the houses", "a tattered revolution of old blankets", and the way he describes things (the map drawn with dull pencil). Brautigan's writing also resembles life in the way that the little details add up to make the life lived.

Trout Fishing in America is a book title but also a person, a place, and maybe other things I'm forgetting. This multiplicity reminded me of Reena Spaulings- a book, an artist, a gallery owner and a gallery.

The Pill is a collection of poems. My favorites include: Karma Repair Kit, Xerox Candy Bar, Hey Bacon!, It's Raining in Love, To England, The Postman, A Mid-February Sky Dance, December 24 and The Harbor. In Watermelon Sugar could be described as a love story.

Some excerpts:

Trout Fishing in America

-cover photograph and the back cover

2- "It's sandwich time for the poor."

-"Was it Kafka who learned about America by reading the autobiography of Benjamin Franklin..."

4- "glass whiskers of the houses"

8- The Kool-Aid wino- "He looked up at me from underneath a tattered revolution of old blankets."

9- "'The dishes can wait'"

14- map

19- Tom Martin Creek- "It's good to name creeks after people and then later to follow them for a while seeing what they have to offer, what they know and have made of themselves."

22- (bookstore) "I drank coffee and read old books and waited for the year to end."

27- "The last thin in the world he had any use for were children."

31- "'Giraffe races at Kilimanjaro!' he shouted"

38- writing on the back of 1st graders

43- (boards over creek)- "...and the creek flowed over the top of the boards, invited like a postcard to the ocean a thousand miles away."

65- (baby and minnows) "We didn't want her to kill any of them because she was too young."

66- (bed leaning against wall) "It stays there for a month. You get used to seeing it and then you go by one day and it is gone. You wonder where it went."

68 and 70- 208 the cat- last cat in the world

104- "'How much are the birds?' I asked."

111- "The Eskimos live among ice all their lives but have no single word for ice."- M.F. Ashley Montagu, Man: His First Million Years

111 and 112- mayonnaise

The Pill versus The Springhill Mine Disaster

8- Items 1-4

11- Xerox Candy Bar- "Ah, you're just a copy of all the candy bars I've ever eaten."

29- map

30- postcard

46- Hey Bacon!

49- "...I wander around the house like a sewing machine..."

53- being drunk, dinosaurs

58- Detroit Tigers

61- It's Raining in Love

78- "There are doors that want to be free from their hinges to fly with perfect clouds."

80- The Postman

81- A Mid-February Sky Dance

94- "God, I hate eating dinner alone. It's like being dead."

98- December 24

105- The Harbor

In Watermelon Sugar

4- "Just call me whatever is in your mind."

3- the tigers

4- that statue of mirrors

27- "'The heard is something else. Nobody knows what is going to happen,' I said."

28- "We who do not have regular names spend a lot of time by ourselves. It suits us."

33- watermelon sugar

40- hands

57- (note) "...and I threw it away, so not even time could find it."

69- "The Forgotten Works just go on and on and on and on and on and on and on and on and on. you get the picture. It's a big place, much bigger than we are."

83- "I was so sleepy now that my eyes refused to close. The lids would not budge down. They were statues of eyes."

107- book

110- "'Have you ever read a book?' I said. 'No,' Fred said. 'I haven't but I don't think I'd want to start by reading one about clouds.'"

112- "Everything is reflected in the Statue of Mirrors if you stand there long enough and empty your mind of everything else but the mirrors, and you must be careful not to want anything from the mirrors. They just have to happen."

118- "'Nobody's to blame. She had a broken heart.'"

August 27, 2008

"Circles"

Ralph Waldo Emerson

4 cards

Writers in the previous post's n+1 pamphlet mentioned wishing they had read Emerson earlier and hold him up alongside Nietzche, if not above. As I make my way through Emerson this year it seemed like the time to read "Circles" since it was mentioned by them. Emerson, of course, offers all one could hope and more in his reflection on and about circles.

Brief excerpts:

252- the eye

-"Our life is an apprenticeship to the truth that around every circle another can be drawn; that there is no end in nature, but every end is a beginning..."

-"Permanence is but a word of degrees."

253- "The new continents are built out of the ruins of an old planet..."

-"New arts destroy the old."

-"Everything looks permanent until its secret is known."

255- "Men cease to interest us when we find their limitations."

256- "Conversation is a game of circles."

257- "Good as is discourse, silence is better."

-"The field cannot be well seen from within the field."

-"Therefore we value the poet."

259- "'The worse things are, the better they are.'"

260- "I am only an experimenter."

261- "People wish to be settled; only as far as they are unsettled is there any hope for them."

-"Life is a series of surprises."

-"The simplest words- we do not know what they mean expect when we love and aspire."

262- "Nothing great was ever achieved without enthusiasm."

-"'A man,' said Oliver Cromwell, 'never rises so high as when he knows now wither he is going.'"

August 26-27, 2008

n+1 Pamphlet Series #2

What We Should Have Known: Two Discussions

2007, paperback

14 cards

I was looking for another book when this and other treasures found me. Six books and three days later I found the book I was looking for in a place I never would have visited otherwise, but that's how the best living comes about. I've always held n+1 the magazine in high regard, but the quality and ideas shared within these two discussions are to be appreciated by any reader or anyone who teaches college students. The initial impetus for the conversations was reflection upon what writers and professors in their 30s mostly wish they would have read as undergraduates, as well as what they wish they hadn't and what they read too late. College freshmen can even get a free copy of this pamphlet by writing the email address on the back cover. It includes lists as well as discussions. Some of my reading this year was reflected in these discussions. I fully agree with the importance of reading Emerson, whom I have just begun to read this year. This is one of many of exquisite statements made, "No book is for you, until it is." Adding to the discussion on page 79, luckily I discovered the Velvet Underground when I was 17, if not 16.

Some selections:

-3- "Books we should have read earlier"- "For me, one thinker I should have read earlier is Foucault."

5- forming a self from reading

7- "books as enthusiasms"- "books that you are lucky enough to find when you are ready to find them."

11- "And what you can't do is ask a school to schedule your enthusiasms, exactly."

12-13- (students) "They pick up teachers and fall in love with them and then abandon them, throw them away like bits of trash or crumpled up paper. But this is what you have to do as a student....And the process is similar when you fall in love, and you want to read the books that the person you fall in love with most likes."

-"reading fiction is all about the tension between the book and you, and the book has to make you want to keep going. If it's assigned to you on a reading list, that tension disappears. So you're not really understanding the book, you're just reading it."

14- "poetry was the most important thing to happen to me in college"

15- periodicals club

18- "What I found that I couldn't very easily do was to sit at home and read Kant's Critique of Judgment, though I tried, and also I had no one to talk to about it."

20- "So books can speak to the world around you, but how are you going to get them to do this for you?"

21- "C.A. Bayly's Birth of the Modern World, which I don't agree with, but at least he'll give you a map. And hopefully then you'll start questioning that map..."

23- "The landscape of the future is completely blank."

27- "Because you're learning, you're being exposed to great things and discovering some sort of enthusiasm in yourself."

28- "...because time is limited in our lives...books that were read instead of other books"

32- "No book is for you, until it is."

-"I'm glad that I didn't encounter the Frankfurt School earlier because I know that I would have been doomed to be a Frankfurt School epigone."

60-61- Kierkegaard's Either/Or

63- "I went to graduate school to make up for undergrad."

64- "Nobody can get a proper undergraduate education. You'll never know in advance what that education should be. Regret is the feeling you have when you finally realize what the education is that you want. Right? And you're always going to come to that after it's too late."

66- Proust

67- "You move through your mistakes toward the absolute...Proust is another great author for regret- the purpose of all this retrospection is to redeem your regrets in whatever ways are possible."

68- "The world is not a text!"

71-72- "The books that one reads tend to take on a sort of naturalness within one's life, so they seem to come to you when you want them, and when you're ready for them. And so for me, the fact that we're on the verge of total civilizational collapse...next 50 or 60 or 70 at most years- makes me regret the lateness with which I've figured that out."

73- (being dazzled by a boy) "...part of what dazzled me was certainly my sense the he knew about things that I did not."

-"I didn't know at the time that you could have a crush on someone who seemed to embody things that you wanted to be yourself."

76- "...almost everyone in academia feels like an outsider, nobody knows what's going on. Academia's an empty vessel, but the ones who don't realize it end up going all the way and end up in charge."

78- "I could have discovered the Velvet Underground when I was 16, as opposed to 26, and you might say this is a minor matter, but it's a matter of style."

79- "What would have changed?"

-"I wouldn't have been such a stupid idiot, I think, and such a romantic and such a moralist. And maybe I wouldn't have married so early."

81- VU song "Sunday Morning"- theme of this symposium- "You wake up, it's Sunday, what have you done with your life, or week."

-"...Sunday's for doing nothing. But actually you know, Sunday is the day to move on from your regrets."

86- reading in a vacuum- useful framework

87- "your education shifts from this sheer accumulation of stuff, to a posing to yourself of certain fundamental questions, and then in certain ways life becomes very easy thereafter."

89- "many of our ideas about the world still seem to come from the field of classical economics- earth's resources are finite (not seemingly abundant as in classical times)

90- "Emerson instead of Nietzsche"

101- Emerson's Circles

114- advice to young people- keep a journal- read seriously- think about everything that happens

118- courage- remain open to things and serious about them

May 17 - August 22, 2008

The Archaeology of Knowledge and the Discourse on Language

Michel Foucault

1972, paperback

18 cards

150- "Contradiction is the illusion of a unity that hides itself or is hidden: it has its place only in the gap between consciousness and unconsciousness, though and the text, the ideality and the contingent body of expression. In any case, analysis must suppress contradiction as best it can. At the end of this work, only residual contradictions remains- accidents, defects, mistakes."

151- "contradiction, then, functions throughout discourse, as the principle of its historicity."

-"Discourse is the path from one contradiction to another."

July 25 - August 14, 2008

Michel Foucault

This Is Not a Pipe

25th Anniversary edition, 1982, paperback

11 cards

While I'm just starting this summer to read books by Foucault I was surprised that I had not heard about this one before discovering it on a shelf in a DC bookstore. Foucault takes as his subject Magritte's infamous painting as his subject, discussing it with the complexity that it deserves but in a way that doesn't overwhelm. Foucault discusses two pipes (a 1926 drawing, and a 1966 painting) that both contain the phrase "Ceci n'est pas une pipe," however there seem to be even more. It was surprising to me that he didn't mention the 1964 painting at the Art Institute of Chicago (part of the Bergman collection) also containing this phrase but titled "L'Air et la Chanson." It makes me wonder how many additional paintings with this phrase were made by Magritte and their titles. Foucault's comments on Klee and Kandinsky broadens my understanding of elements of both artists' work.

Selected notes:

Translator's Introduction:

2- de Chirico's "The Song of Love"- Magritte claimed to have realized "the ascendancy of poetry of painting.

4- Borges

9- Magritte: "it is in vain that we say what we see; what we see never resides in what we say."

Foucault:

15- handwritten script

20- "what misleads us is the inevitability of connecting the text to the drawing"

-calligram

21- "As a sign, the letter permits us to fix words; as line, it lets us give shape to things."

24- "The text must say nothing to this gazing subject who is a viewer, not a reader. As soon as he begins to read, in fact, shape dissipates."

25- "They very things that is both seen and read is hushed in the vision, hidden in the reading."

-"Magritte redistributed the text and the image in space."

33- Klee

34- "The essential point is that resemblance and affirmation cannot be dissociated."

-"the colors that Kandinsky called 'things.'"

36- Magritte: "The titles are chosen in such a way as to keep anyone from assigning my paintings to the familiar region that habitual thought appeals to in order to escape perplexity."

37- "Magritte secretly mines a space he seems to maintain in the old arrangement. But he excavates it with words..."

38- Magritte: "Between words and objects one can create new relations and specify characteristics of language and objects generally ignored in everyday life."

40- "the sort of things that cannot be names and that in fact 'name' themselves bear an exact and familiar name. The painting is the converse of a rebus, that chain of shapes so easily recognized as to be immediately identifiable..."

41- "In order to deploy his plastic signs, Klee wove a new space. Magritte allows the old space of representation to rule, but only at the surface...beneath, nothing."

43- resemblance and affirmation

44- "To me it appears that Magritte dissociated similitude from resemblance, and brought the former into play against the latter."

-"Resemblance presupposes a primary reference that prescribes and classes."

-"Resemblance serves representation, which rules over it; similitude serves repetition, which ranges across it."

46- (resemblance)- "...reveals the clearly visible; similitude reveals what recognizable objects, familiar silhouettes hide, prevent from being seen, render invisible."

-"Resemblance makes a unique assertions, always the same: This thing, that thing, yet another thing

46-47- Magritte: "Only thought can resemble. It resembles by being what it sees, hears, or knows; it becomes what the world offers it."

-"Thought resembles without similitude...."

47- "Magritte's painting doubtless rests here, where thought in the mode of resemblance and things in relations of similitude have just vertically intersected.

-networks

48- "Who speaks in the statement?"

49- infinite games

51- mirror- Les Liaisons dangereuses

54 "...Campbell, Campbell, Campbell, Campbell."

57-58- letters from Magritte to Foucault

57- "Las Meninas is the visible image of Velazquez's invisible thought. Then is the invisible sometimes visible?"

August 10 - 13, 2008

Sex, Drugs and Cocoa Puffs*

*A Low Culture Manifesto

Chuck Klosterman

2003, hardcover

15 cards

Lately I've been mentioning to people that I'm reading Chuck Klosterman's books. Everyone seems to have read this book, if not his others. I was wondering why I missed out on this slice of pop culture. I think I know now. By the time it came out in paperback, every weekend I was driving to Detroit and sleeping on the couches of friends and going to shows; at the time I was the only person living in East Lansing in their mid-twenties who was not married or not enamoured with sports bars. It would be amazing if I ever lived in the same city as my friends. While I bought a lot of books I didn't read too many of them. I think it's good I didn't read Sex, Drugs and Cocoa Puffs because I might not have read the other two Klosterman books I read before this. I might have, but I might not have. He's great at discussing the minute details that form the core existence of people my age (most of us watched Saved by the Bell, have some conscious of Sims, listened to bands like R.E.M. and Billy Joel and the Dixie Chicks, saw Reality Bites, etc.) but as he's written more, he's gotten better at it. The track on cereal is first rate and full of acute observations (that's right- all those creatures wanted to steal cereal- what is up with that?) The front pages includes a CD and the stories song titles and play times. Klosterman draws a distinction between a mix tape and a mix cd, placing the mix tape in a higher category. This book is an enjoyable mix cd, the other two are mix tapes.

Selections:

-(life)- "...nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even it we don't realize it..."

-"...I am alone. And that everyone is alone. I guess I am not a morning person."

-"an evening book"

-"The goal of being alive is to figure out what it means to be alive, and there is a myriad of ways to deduce that answer" (low culture vs. Kant or Wittgenstein)

1- "No woman will ever satisfy me....But this is actually okay, because I will never satisfy a woman, either."

3- (movies) "We will both measure our relationship against the prospect of fake love."

-assessment of Coldplay

4- "...perfect illustration of why almost everyone I know is either overtly or covertly unhappy."

-"They think everything will work out perfectly in the end..."

-"The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy."

6- footnote- Jordan Catalano from MSCL not being able to read

9- (When Harry Met Sally) "it gave a lot of desperate people hope."

-"Nora Ephron accidentally ruined a lot of lives."

13- (SIMS) "There is no way to win, except to keep yourself from becoming depressed."

15- "Seinfeld was about nothing, but its underlying message was that nothingness still has a weight and a mass and a conflict."

16- quotes Talking Heads lyrics

-"video technology cages imagination"

19- "I never enjoy the process of buying anything, but I get the impression that most Americans love it. What the Sims suggests is that buying things makes people happy because it takes their mind off being alive."

36- definition of postmodern

41- (Big Brother not having music) "...without a soundtrack, human interaction is meaningless."

44- (Billy Joel, important songs, loneliness) "And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's "lonely lonely," like the way it feels when you're being hugged by someone and it somehow makes you sadder."

-"Black Sabbath is the most underrated band in rock history."

45- "Cheap Trick was good at being cool for everybody."

65- Black Sabbath

70- humorousity

70- Rivers Cuomo- "the Cubism didactic-hobo-core three-piece"

102- "This is why men need to become obsessed with things: It's an extroverted way to pursue solipsism. We are able to study something that defines who we are; therefore, we are able to study ourselves. Do you know people who insist they like 'all kinds of music'? That actually means they like no kinds of music."

104- (cars- the IROC and Chevy Cavalier make their first appearance- because of my car it seems I fall into the Celtics fan category but it does have 2 doors, not 4)

119- Sylvester Graham!!!! [former resident of the building that houses Sylvester's in Northampton]

120- "Saturday morning commercials for all the best cereals are teaching kids how to figure out what's cool."

121- "They're the first step in the indoctrination of future hipsters: cereal commercials teach us that anything desirable is supposed to be exclusionary."

-"premise that a given cereal is so delicious that a fictional creature would want to steal it."

122- corduroy

124- "The desire to be cool is- ultimately- the desire to be rescued. It's the desire to be pulled from the unwashed masses of society."

125- 3 questions [#1- No, #2 No, #3A]

127- mix tapes vs. mix cds

128- Saved by the Bell- "people born between 1970 and 1977 [you're wrong here- 1978 factors in too]

130- "I watched it because it was on TV, which is generally the driving force behind why most people watch any program."

-"universities always spawn little cultures of terrible TV appreciation..." [yes!]

131- diner

133- "Important things are inevitably cliche."

138- Angela, My So Called Life- "But Angela was so much an individual that she wasn't like anyone but herself; she didn't reflect any archetype. She was real enough to be interesting, but too real to be important." [but this is why she was so great]

140- "Life is chock full of lies, but the biggest lie is math."

-50-50

147- Reality Bites- Gen Xers- cynical optimists [I owned this soundtrack on tape]

-"This is why Ryder has to pick Hawke."

-"She pursued a path that was difficult and depressing and she did so because it showed the slightest potential for transcendence."

156- (films) "What is Reality?"

161- forgetting stuff- "The strength of your memory dictates the size of your reality."

167- "...The most wretched people in the world are those who tell you they like every kind of music 'except country.'"

167- but not "old country"

173- "Tastee Freezes are iconic structures in the rural Midwest, because they say something about your hometown; they irrefutably prove your community does not have enough of a population to sustain a Dairy Queen." [Williamston did have a Dairy Queen when I lived there]

175- "lyrics do matter"

176-177- Bob Dylan and Liz Phair cds

178- Johnny Cash- coffee

183- Esprit t-shirts

185- Gacy and mail

194- (list of people who died in the Oklahoma City bombing] "...that virtually everyone's life is only remembered for one thing."

-"I think this is what motivates people to have children...."

211- acquaintance" "'There's one thing worse than talking to a person who knows about nothing,'" he said, 'an that's talking to someone who knows about nothing except music.'"

219- "dying is always original"

229- "As far as I can tell, the nicest thing you can say about children is that they haven't done anything terrible yet."

230- Kierkegaardian leap