Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Tuesday, December 23, 2008

November 25 - December 6, 2008


Reena Spaulings
A novel by Bernadette Corporation
paperback, 2004

I have wanted to read this book from the moment I learned of it (you can read the 1st three chapters here). Somehow I never ordered online, but finally it found me. The last copy at the MoCAD bookstore, it was in stock due to the Bernadette Corporation being in the intelligent and captivating exhibition Business as Usual. Reena Spaulings is a fictional character in her 20s (but isn't she all of us), a museum guard, a fashion model, a novel, and subsequently an art gallery and an art dealer. She's not one thing, she's many. And she's rarely still, though despite the fast pace the reader still is able to get inside her head. sometimes.

Some excerpts:
Preface- "If you look at a city, there's no way to see it. One person can never see a city."
-"It has to be informed, imagined, by many people at a time. It's an everyday group hallucination."
-author
3- Reena
4- "She is not happy, not sad, not nothing."
-secrets
-Nobody ever talks in the way it would blow her brains out. Plus she has no desire to interfere with the flows that brought these streams of people, words."
-bangs
7- "Reena could be a Manet, one of these thinking pictures you can't see through, no matter how long you stare at them."
12- "I am often surprised, not to say a little embarrassed, at how blown-away I can be by the street's beauty after a day in the museum."
15- "A body is a living, breathing image that thinks while exposing itself to others."
16- "What if nothing belonged to anybody?"
31- Manet, Young Lady in 1866
34- "The illusion unravels like in a Warhol, leaving something that's not an illusion."
-"Here is observing for those who can no longer see. Or, for those who can't really look into another person's eyes."
53
55- "We move through a city that produces boys and girls and extends itself through them."
57- "...thinking of how the sky is shoved to the periphery of the stage by our monuments and monumental buildings."
61- "I think how can we make a beautiful brushstroke with our existence?"
63- "an economy of essences"
65- "his shirts were always blank"
73- (war) "Anyway, there's no point in discussing such things if we can't find a way of talking about them that's as outrageous as the things themselves."
-dandy- "existence consists in the wearing of clothes"
-abstract painting- "opening a blank space in the texture of institutionally recognized meaning. Few artists leave that void empty for long."
76- hands
78- "It's as if an envelop is falling over this place, sealing us up inside."
-"I feel loads of unspoken words showering down on me. Shooting star sentences that will never be translated."
79- "She's an open book but every turned page presents another cover."
82- "New York is an entire library of books about everything and everybody. Reading here is work, and behind every book-filled room is another room of books and the reading never ends."
-"The city is an open structure that works by calibrating every relationship to its programmed expansion and destruction."
-"The city needs Reena and folds her into its architectures..."
-(NYC) 12 million reader-authors
-"There is no New York story, only an endless effort to make us forget that narration is war..."
-Reena's lighting system
84- "Bedrooms are the site of intimacy. What is more intimate, when shared, than boredom."
85- "Boredom like stupidity contains its own treasures."
93-94- "Was Reena pursuing her desires, or was she inventing them anew with each ring of the cash register."
94- "Its exclusivity lay entirely in the mis-relationship between what it had cost and what it actually was. The price here stood in for any and ever other quality."
95-96- 99 cent store
98- "Shopping together is like traveling: an elaborate way of making the couple visible to itself."
99- "'I'm surprised how much birds sing.'"
133- Voltaire- "That which needs an explanation is not worth an explanation!"
136- "...Capitalism, Empire, whatever...there's a general context that not only controls each situation but, even worse, also tries to ensure that, most of the time, there is no situation."
-"That the desert of these times isn't perceived is only one more proof of the desert."
137- "To live in the world means: to begin with the situation, not to deny it. To give consistency to a situation. To make it real, tangible. Reality is not capitalist."
143- Zizek
154- "Funny how individuality makes you generic."
154-155- "Here is an intellectual body of pure capability, but one that is also open, looking to be determined from outside, ready to re-write everything, to co-write, to be written on..."
158- "Better to eat candy like Andy."
165- "People want to be someone. But the really exciting challenge is to become no one."
174- "Everything emblematic of a being-alive that once was, is not available in a variety of prices and quality."
188- "I wanted to go out and see people and talk about everything I saw."
190- "Nothing ever ends until you let it go."
-"Only the impossible is worth the effort."
200- "because in New York we were sweating the evil they would be photocopying in three years time."
201- "You see? Your love is circular. There is nothing like it. It makes us forget how to change."
202- "I'm trying to wangle my way out of obligations because I need long hours to do nothing, which I consider to be a big part of my work now."
-back cover

Monday, October 20, 2008

August 27 - October 5, 2008

Looking Up Rachel Whiteread's Water Tower
Public Art Fund
Hardcover, 1998
10 cards

Many people who have walked with me in a city know about my interest in water towers. I have given some thought as to why these structures interest me. Partly it's because they signify city to me, there were no such water towers in town I was from. It seems as if they're a tangible expression of time- particularly in Detroit, they're a sign of earlier life and vitality, the towers haunting the sky to some degree. They have a presence in the sky and they also have a function. I try to capture as many as I can in snapshots since each feels unique. Rachel Whiteread also took an interest in water towers and explored, researched and created a project inspired by the water towers of New York. I've had my eye on this book for a while but the truly wonderful Strand Bookstore had it for $5 or so, and thus I found my copy.

Whiteread's tower now seems to be on MoMA's roof. Whiteread chose a trasnslucent material to cast her water tower unlike the dense materials of her casting of house interiors (I saw Ghost this summer at the National Gallery) prevent one from entering the former interior. What is it about water towers that lets us in? I'm still not sure but perhaps in continuing to return to such a question there the answers will become as interesting as the question. I just started thinking about the way water towers are part of networks, relationship which I realize more and more each day underlie many projects and interests of mine.

Some excerpts:
13- Joan Didion, The White Album, "Water is important to people who do not have it, and the same is true of power."
-arid climates, water- "liquid capital"
15- "The skyline of old New York is the engineering consequence of the reserves of water held in upstate regions."
-1998- 17,000 rooftop water tanks in NYC
16- "Human habitations must be protected from their own effects."
17- "In present-day New York City, the politics of land values can be read in the architecture of the skyline. Water, like any other system, is political: power that can be channeled, streamed, diverted and stored."
18- "To look at Whiteread's Water Tower is not only to be reminded of the origins of what we take for granted but also to delve into the functioning of a larger system of which wooden water towers are merely the visible pinnacles."
20-Ilya Kabakov, Monument to the Lost Glove
22- David Hammons
-"the projects in their city locations are 'open texts' which invite many possible readings and individual perceptions."
23- Gordon Matta- Clark
24- 1st research trip- walking
25- Bernd and Hilla Becher
-"The water tower is part of the complex system by which water is collected and distributed. Consisting of a water tank and a tower-like substructure, it fulfills 2 purposes at the same time: storage and the maintenance of pressure."
27- almost disappearing, invisible
-"part of the sky itself"
28- "those who seek it out will find it"
45- Foxwoods
47- "The greatest pleasure in life is doing what people say you cannot do."

Cabin the Sky
, Luc Sante
89- "Although omnipresent, and comforting, in their omnipresence, water towers have nevertheless managed to avoid dull familarity. You never quite cease to see them..."
-"strictly functional idea"
92- Bechers- "It is the Bechers's mission to document with scientific rigor the architectural remnants of the age of industry."
-"They were never intended to be any more than strictly utilitarian."
-"their abject and uncompromising simplicity."
The Immigrant- Molly Nesbit
99- Gerhard Richter- city of New York
100- Rem Koolhaus- "count the rabbits"
-"to make something not there"
-"she would retreat from the skyline to return to it."
101- J. G. Ballard's Crash
102- Nietzsche
105-106 "She gave peace an urban shape in her inverted tower of water"
106- country moment "When there are no birds singing, and there's no wind, you just get this silence that is absolute concrete, it completely smothers you."
-"But New York is not itself capable of this kind of silence."
-"What is an artist? Neither tourist nor traveler exactly."
-107- "For a large work of art like Water Tower is in effect asking to be held only by the world."
108- "No city on earth, no life on earth, has the scale of sky."
-"Clouds are notoriously silent."
163- Moondance Diner (now closed)
166- RW: "I really wanted to make something that was more like an intake of breath."
170- Robert Leonard: "It reflects the idea of a monument without marking a site that a monument would normally mark as being significant. It is an empty form waiting for meaning to attach itself to it."
171- Trisha Brown: "people didn't look up; artists probably did"
173- Trisha Brown, Roof Piece, Soho, 1972
176- Dan Graham- Two Way Mirror Inside Cube
183- Ingrid Schaffner- "this city's particular capacity to inspire whomever is simply prepared to look."
188- David Zwirner: "Looking for it is almost just as satisfying as finding it."
195- Diane Lewis: "The city is a text...But an existential description of the city as a history is that history has no objective, the art is to give it one, by reading of the city not as a history but as une histoire, a story."