Showing posts with label Zizek. Show all posts
Showing posts with label Zizek. Show all posts

Tuesday, December 23, 2008

November 25 - December 6, 2008


Reena Spaulings
A novel by Bernadette Corporation
paperback, 2004

I have wanted to read this book from the moment I learned of it (you can read the 1st three chapters here). Somehow I never ordered online, but finally it found me. The last copy at the MoCAD bookstore, it was in stock due to the Bernadette Corporation being in the intelligent and captivating exhibition Business as Usual. Reena Spaulings is a fictional character in her 20s (but isn't she all of us), a museum guard, a fashion model, a novel, and subsequently an art gallery and an art dealer. She's not one thing, she's many. And she's rarely still, though despite the fast pace the reader still is able to get inside her head. sometimes.

Some excerpts:
Preface- "If you look at a city, there's no way to see it. One person can never see a city."
-"It has to be informed, imagined, by many people at a time. It's an everyday group hallucination."
-author
3- Reena
4- "She is not happy, not sad, not nothing."
-secrets
-Nobody ever talks in the way it would blow her brains out. Plus she has no desire to interfere with the flows that brought these streams of people, words."
-bangs
7- "Reena could be a Manet, one of these thinking pictures you can't see through, no matter how long you stare at them."
12- "I am often surprised, not to say a little embarrassed, at how blown-away I can be by the street's beauty after a day in the museum."
15- "A body is a living, breathing image that thinks while exposing itself to others."
16- "What if nothing belonged to anybody?"
31- Manet, Young Lady in 1866
34- "The illusion unravels like in a Warhol, leaving something that's not an illusion."
-"Here is observing for those who can no longer see. Or, for those who can't really look into another person's eyes."
53
55- "We move through a city that produces boys and girls and extends itself through them."
57- "...thinking of how the sky is shoved to the periphery of the stage by our monuments and monumental buildings."
61- "I think how can we make a beautiful brushstroke with our existence?"
63- "an economy of essences"
65- "his shirts were always blank"
73- (war) "Anyway, there's no point in discussing such things if we can't find a way of talking about them that's as outrageous as the things themselves."
-dandy- "existence consists in the wearing of clothes"
-abstract painting- "opening a blank space in the texture of institutionally recognized meaning. Few artists leave that void empty for long."
76- hands
78- "It's as if an envelop is falling over this place, sealing us up inside."
-"I feel loads of unspoken words showering down on me. Shooting star sentences that will never be translated."
79- "She's an open book but every turned page presents another cover."
82- "New York is an entire library of books about everything and everybody. Reading here is work, and behind every book-filled room is another room of books and the reading never ends."
-"The city is an open structure that works by calibrating every relationship to its programmed expansion and destruction."
-"The city needs Reena and folds her into its architectures..."
-(NYC) 12 million reader-authors
-"There is no New York story, only an endless effort to make us forget that narration is war..."
-Reena's lighting system
84- "Bedrooms are the site of intimacy. What is more intimate, when shared, than boredom."
85- "Boredom like stupidity contains its own treasures."
93-94- "Was Reena pursuing her desires, or was she inventing them anew with each ring of the cash register."
94- "Its exclusivity lay entirely in the mis-relationship between what it had cost and what it actually was. The price here stood in for any and ever other quality."
95-96- 99 cent store
98- "Shopping together is like traveling: an elaborate way of making the couple visible to itself."
99- "'I'm surprised how much birds sing.'"
133- Voltaire- "That which needs an explanation is not worth an explanation!"
136- "...Capitalism, Empire, whatever...there's a general context that not only controls each situation but, even worse, also tries to ensure that, most of the time, there is no situation."
-"That the desert of these times isn't perceived is only one more proof of the desert."
137- "To live in the world means: to begin with the situation, not to deny it. To give consistency to a situation. To make it real, tangible. Reality is not capitalist."
143- Zizek
154- "Funny how individuality makes you generic."
154-155- "Here is an intellectual body of pure capability, but one that is also open, looking to be determined from outside, ready to re-write everything, to co-write, to be written on..."
158- "Better to eat candy like Andy."
165- "People want to be someone. But the really exciting challenge is to become no one."
174- "Everything emblematic of a being-alive that once was, is not available in a variety of prices and quality."
188- "I wanted to go out and see people and talk about everything I saw."
190- "Nothing ever ends until you let it go."
-"Only the impossible is worth the effort."
200- "because in New York we were sweating the evil they would be photocopying in three years time."
201- "You see? Your love is circular. There is nothing like it. It makes us forget how to change."
202- "I'm trying to wangle my way out of obligations because I need long hours to do nothing, which I consider to be a big part of my work now."
-back cover

Wednesday, September 10, 2008

August 31 - September 2, 2008


Horses
by Philip Shaw
33 1/3 Books, 2008, paperback
19 cards

The first time I saw Patti Smith was on R.E.M.'s Monster tour in 1995. I was in high school. I didn't know much about her yet but I knew that she was someone to find out more about, much like R.E.M. pointed me towards The Velvet Underground. I don't remember the quote exactly but I recall Michael Stipe saying once how when he heard Horses he realized anyone could sing, that he could sing. R.E.M.'s music and interests gave me a perspective beyond the one-traffic light town I lived in. Because of Horses significance to Stipe, the bits I know about Patti Smith, and the concerts of hers I've seen since, I was excited to see that the 33 1/3 book about her focused on Horses.

Philip Shaw's story of musical discovery and research bears some similarities to mine, though his was guided by Ian Curtis and Joy Division and Patti Smith, who he knew first through the Horses cover. The format and approach for 33 1/3 books varies with the author. Shaw writes about Horses as a fan, as well as the necessary invocation of Rimbaud while also discussing it through other texts. As he says, "...Horses is about what happens when we listen as well as read."

Selections:
3- "...but from Patti Smith I learned that the loss of control, a key word for Ian Curtis, need not lead to a suicidal walk 'upon the edge of escape' (She's Lost Control Again) As Land taught me, the loss of control could lead, equally, to the sea of possibilities."
7- Velvet Underground and Warhol
8- Bob Dylan
9- Robert Mapplethorpe
13- rigor and taking music seriously
-"Elvis Costello line (the attribution is disputed) 'writing about music is like dancing about architecture.'"
15- "unlike other cultural forms, music is where we are most likely to encounter ourselves"
16- "What music offers is the promise of release from the restrictions of everyday life. But such a release is, of course, illusory, and just as ideology works to convince its subjects that they are, in fact, outside ideology, thus rendering itself immune to critique and to the potential for revolt, so music, by concealing its origins in commerce, and by providing a sense of escape from the workaday world, operates as a lure to critical consciousness. To be lost in music, released form the nine to five, is to feel alive, but also, as Sister Sledge adds, to be 'Caught in a trap': for who, once they have experience such freedom, would wish to reflect on it? Might the act of close critical engagement ruin the illusion?"
19- "nothing is more heady in the sense of intoxicating, than the champagne froth of a radical new idea."
22- Benjamin
23- the Situationists
24- "With each song, Smith presents a sort of photographic negative, her characters inhabiting a shadow version of the land of the free."
28- Lacan: "A certificate tells me that I was born. I repudiate this certificate: I am not a poet, but a poem. A poem that is being written, even if it looks like a subject."
-"Patti Smith always distrusted the idea that human beings possess a fixed or stable identity."
29- "Yes, she is a poet, and she is a poem that is written."
-eye patch
30- Rimbaud- self-fashioning
33- Alice in Wonderland
37- Philadelphia Museum of Art
41- Illuminations
44- Piss Factory
-that photograph
49- drawings
52- "death by water"
-"how many tears on your pillow. crocodile or real. watershed."
52- T.S. Eliot
54- "the night stretched like a cloud"
55- (questions) "Perhaps all of these or none of these things."
56- PS: "I had to go to Paris to find myself as an artist, but I came back to New York filled with words and rhythms."
56- close alliance with Lenny Kaye
60- Sam Shepard- PS: Shepard's "whole life moves on rhythms. He's a drummer."
61- street angel
62- "her stress on the act of reading"
63- words, language
66- longing
67- Rimbaud quote- women
70- Artaud
72- Richard Hell: "The art-form of the future is celebrityhood."
76- Gross: "She was a woman who dared to get up on stage and not smile- not aim to please."
77-78- silences
86- Patty Hearst- "I am nobody's million dollar baby."
97- John Cale- mirror quote
98- Horses read as artifact
102- "Again, who is singing here, and to whom?"
106- Lacan, Zizek
121- album "form of memento mori, an artistic meditation on the limits of mortality."
122- Jim Morrison- the task
128- Voltaire- back to England- Louis XV- said to have asked him: 'What did you learn over there?' 'To think, sire.' (penser- to think), to which the King replied, 'Horses?' (panser- to groom horses)"
129- "Horses, then, is about thinking; or rather, it is about allowing oneself to be thought..."
131- Barthes
132- Lacan- child- mirror